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Robertson Davies Quotes
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The mind of man, though perhaps the most splendid achievement of evolution, is not, surely, that answer to every problem of the universe. Hamlet suffers, but the Gravediggers go right on with their silly quibbles.
Robertson Davies
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I don't suppose there is a country in the world where a playwright has such a tremendous field for modesty as Canada.
Robertson Davies
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There is no democracy in the world of intellect, and no democracy of taste.
Robertson Davies
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I once had a dispute with a group of Swedish professors at the University of Uppsala as to which country, Sweden or Canada, was the dullest in the world. It was a draw; they claimed superiority because of their long history, and I claimed it because of Canada's immense land mass, which gives us space for tremendous expansion, even of such things as dullness.
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Our fate lies in your hands, to you we pray
For an indulgent hearing of our play;
Laugh if you can, or failing that, give vent
In hissing fury to your discontent;
Applause we crave, from scorn we take defence
But have no armour 'gainst indifference.
Robertson Davies
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People marry most happily with their own kind. The trouble lies in the fact that people usually marry at an age where they do not really know what their own kind is.
Robertson Davies
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Trollope is endlessly gripping, though it's rather crunchy granola: you chomp your way resolutely through it, and it's worth it because the story is so good.
Robertson Davies
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As for hair in the nose, it is picturesque, and with a little practise it can be made to quiver, like the antennae of one of the more intelligent and sensitive insects. Anything which gives interest to the gloomy, immobile pan of the average Canadian should be cherished and not extirpated with circular scissors.
Robertson Davies
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People who have taken the [writing] course write eagerly, "Last week I hit "The Country Gentleman"; this week I hit "Mademoiselle"; next week I hope to hit the "American Mother"! Frankly, I don't think this course would suit me; I don't want to hit any of those people, though I might toss a pie at the American Mother, just for fun...
Robertson Davies
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All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children....
Robertson Davies
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For twenty years I have been a writer and never before have I been in a milieu where every consideration came before literary consideration. And the opinion of anybody — minor actor, money accountant or baggage man — weighed equally or more heavily than that of the author. My disgust is like a cap of fire bearing down on my head. Why would an author with any pride submit to the impertinences of theatre people?
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It is not as though "Do what thou wilt shall be the whole of the law" was a precept from which splendid fiction could not be drawn; it is rather that what these small-time rebels choose to do is so trivial, so cheap, and in the end, so dreary.
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It was suggested by the late Alfred Knopf that books should be graded like eggs, and that publishing houses should not offer as First Class what they well know to be Fifth. But of course publishers cannot agree about standards for grading, and even if they could, writers would shriek like mandrakes uprooted if their work were sent into the world marked anything less than Strictly Fresh.
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Everything matters. The Universe is approximately fifteen billion years old, and I swear that in all that time, nothing has ever happened that has not mattered, has not contributed in some way to the totality.
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If our age is not distinguished for a greatly increased number of happy marriages and a more intelligent approach to the problems of sex, we may surely assert that some forms of misery in the sexual realm are less widespread than they used to be; and of the many people who are unhappy, thousands have some idea of what lies at the root of their unhappiness, and thus far they are better off than their forefathers, who had none, or attributed their distress to sin.
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It seemed to me as if the stones sang, in the strangest voices, in the language of Ultima Thule.
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It seems to me that most of us get all the adventure we are capable of digesting. Personally, I have never had to fight a dozen pirates single-handed, and I have never jumped from a moving express-train onto the back of a horse, and I have never been discovered in the harem of the Grand Turk. I am glad of all these things. They are too rich for my digestion, and I do not long for them. I have all the close shaves and narrow squeaks in my life that my constitution will stand, and my daily struggles with bureaucrats, taxgatherers and uplifters are more exhausting than any encounters with mere buccaneers on the Spanish Main.
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The reader cannot create; that has been done for him by the author. The reader can only interpret, giving the author a fair chance to make his impression.
Robertson Davies
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We all have slumbering realms of sensibility which can be coaxed into wakefulness by books.
Robertson Davies
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"Can you tell me the time of the last complete show?"
"You have the wrong number."
"Eh? Isn't this the Odeon?"
I decide to give a Burtonian answer.
"No, this is the Great Theatre of Life. Admission is free but the taxation is mortal. You come when you can, and leave when you must. The show is continuous. Good-night."
Robertson Davies
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It is lost, lovely child, somewhere in the ragbag that I laughingly refer to as my memory.
Robertson Davies
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Sometimes for us in Canada it seems as though the United States and the United Kingdom were cup and saucer, and Canada the spoon, for we are in and out of both with the greatest freedom, and we are given most recognition when we are most a nuisance.
Robertson Davies
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Any enjoyment or profit we get from life, we get Now; to kill Now is to abridge our own lives.
Robertson Davies
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Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.
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The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit's desire is to be funny; the ironist is only funny as a secondary achievement.
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The critic must be reconciled to his necessary, ambiguous role, and however much he may caper, joke, and posture for us in his writings, we are unlikely to forget that he is a man who may, at any moment, tread heavily upon our dreams — unworthy dreams, foolish dreams, stupid dreams, sometimes — but still dreams.
Robertson Davies
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Never harbor grudges; they sour your stomach and do no harm to anyone else.
Robertson Davies
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The day has long passed when a university degree was a guarantee of experience in the humanities, or of literacy beyond its barest meaning of being able, after a fashion, to read and write.
Robertson Davies
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The problem for a Paracelsian physician like me is that I see diseases as disguises in which people present me with their wretchedness.
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Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.
Robertson Davies
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It is better to meet danger than to wait for it. He that is on a lee shore, and foresees a hurricane, stands out to sea and encounters a storm to avoid a shipwreck.
Charles Caleb Colton
Robertson Davies
Creative Commons
Born:
August 28, 1913
Died:
December 2, 1995
(aged 82)
Bio:
William Robertson Davies was a Canadian novelist, playwright, critic, journalist, and professor.
Known for:
Fifth Business (1970)
The Manticore (1972)
The Rebel Angels (1981)
What's Bred in the Bone (1985)
World of Wonders (1975)
Most used words:
people
life
man
time
book
kind
course
modern
god
experience
feel
age
young
spirit
human
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