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We have educated ourselves into a world from which wonder, and he fear and dread and splendor and freedom of wonder have been banished. Of course wonder is costly. You couldn't incorporate it into a modern state, beacuse it is the antithesis of the anxiously worshiped security which is what a modern state is asked to give. Wonder is marvellous but it is also cruel, cruel, cruel. It is undemocratic, discriminatory and pitiless.
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The really great eccentrics are all inimitable; they are not possessed by a single oddity; they are, in their deepest selves, unlike the generality of mankind.
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This is a work which ought to be in every library in Canada; perhaps, after twenty-five years or so, it might silence the recurrent hubbub about nude paintings which is a feature of our national life. Yes, they are erotic. Yes, madam, the painters are often naughty men, and the models are sometimes bad girls. But there are elements involved in the painting of the nude which draw upon what is highest in art and express what is highest in mankind. Now, may we please look at the pictures?
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Now, very few [physicians] are men of science in any very serious sense; they're men of technique.
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In too many modern churches there is no emphasis on theology at all. There is a kind of justification by works or by keeping up with modern trends — anything that will drag in a few more people.
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It was easier to keep myself from becoming a success as an actor. Critics were careful not to outrage my modesty by their praise, and the public scrupulously refused to debauch me with applause. I have thought about it a good deal, and my conclusion is that I was ahead of my time. Or behind it.
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Women always think that if they tell a man not to be pompous that will shut him up, but I am an old hand at that game. I know that if a man bides his time his moment will come.
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As for an afterlife, there has been a general decline in the general acceptance of it as a certainty, and though a few rationalists may be pleased, to many people this has added a new terror to death. We are reluctant, in the main, to consider the disappearance of ourselves and consequently all we feel and know. Every man's death is, literally, the end of a world if he dies without hope. We have exchanged Gone Elsewhere for Gone Nowhere.
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Aristocrats need not be rich, but they must be free, and in the modern world freedom grows rarer the more we prate about it.
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That is all there is to it. No doubts, no discussion of earlier affairs, no to-ing and fro-ing, no physical experiment beyond a kiss, none of the complex voodoo which is thought necessary in even the most perfunctory modern novel to clap two ninnies together.
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The world is full of people whose notion of a satisfactory future is, in fact, a return to an idealised past.
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The King had every privilege except that of being at ease. Pompadour provided the atmosphere in which that final luxury was possible. She did not do this, as anyone who thinks about the matter for twenty seconds will know, by twenty years of rapt contemplation of the ceilings of Versailles. Indeed, Pompadour was not a physically ardent woman, and love-making tired her. After about eight years of their association Louis XV did not sleep with her... But it was to Pompadour that he talked, and it was to Pompadour that he listened.
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My curiosity was in no way cruel. Deviations from the commonplace attracted me strongly, as they still do; and to me the hermaphrodite and the living skeleton were interesting for the same reason as was Creatore, or the resplendent Guardsmen of the bands — because such people did not often come my way, and I hoped that they might impart some great revelation to me, some insight which would help me to a clearer understanding of the world about me.
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His face was tense with pain. But then, who notices when they meet a theatre critic whose face is tense with pain? It is one of the marks of the profession.
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"To which god must I sacrifice in order to heal?" To which of the warring serpents should I turn with the problem that now faces me?
It is easy, and tempting, to choose the god of Science. Now I would not for a moment have you suppose that I am one of those idiots who scorns Science, merely because it is always twisting and turning, and sometimes shedding its skin, like the serpent that is its symbol. It is a powerful god indeed but it is what the students of ancient gods called a shape-shifter, and sometimes a trickster.
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Pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing.
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When you're a novelist, you're writing a play but you're acting all the parts, you're controlling the lights and the scenery and the whole business, and it's your show.
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I like long and unusual words, and anybody who does not share my tastes is not compelled to read me. Policemen and politicians are under some obligation to make themselves comprehensible to the intellectually stunted, but not I. Let my prose be tenebrous and rebarbative; let my pennyworth of thought be muffled in gorgeous habilements; lovers of Basic English will look to me in vain.
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A sense of wonder is in itself a religious feeling. But in so many people the sense of wonder gets lost. It gets scarred over. It's as though a tortoise shell has grown over it. People reach a stage where they're never surprised, never delighted. They're never suddenly aware of glorious freedom or splendour in their lives. This is very unhappy, very unfortunate. The attitude is often self-induced. It is fear. People are afraid to be happy.
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Long toil and short leisure are part of the heavy price we pay for our North American standard of living. It is reputed to be the highest in the world, and so it should be, for it is bought at an inordinate price.
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Again he struck the harp and began the jig. But this time it was such music as never came from a harp. It was the wildest, strangest music you ever heard, full of the sound of birds and the cries of animals and the wind and the rain, and the thunder and the lightning, and the dashing of huge waves against the shores of a great cold ocean that was formed from ice that had made its way slowly down from Ultima Thule. It was the sound of a world before mankind. It was the sound of the great merriment God must have known during the long days of Creation.
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I cannot imagine any boy of spirit who would not be delighted to play a drunkard — even to vomiting — in front of his Sunday school. Indeed, the vomiting might be the chief attraction of the role.
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If the storyteller had what it took, he collected a little group and told them a golden tale until it got to the most exciting point and then he passed the bowl again. That was the way he made his living, and if he failed to hold his audience, he was through and had to take up some other line of work. Now this is what a writer must do.
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But in their second-best rank, books of this academic sort are, of all books, the easiest to write. They chew over what has already been well chewed; they grapple with other scholars, seeking to bear them down into the academic ooze; they explore the vast caverns of the creator's spirit with no illumination save the smoky and fitful rushlight of their own critical intelligence.
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There are times when I think that the reading I have done in the past has had no effect except to cloud my mind and make me indecisive
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The reclusive man who marries the gregarious woman, the timid woman who marries the courageous man, the idealist who marries the realist — we can all see these unions: the marriages in which tenderness meets loyalty, where generosity sweetens moroseness, where a sense of beauty eases some aridity of the spirit, are not so easy for outsiders to recognize; the parties themselves may not be fully aware of such elements in a good match.
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Happiness is a by-product. It is not a primary product of life. It is a thing which you suddenly realize you have because you're so delighted to be doing something which perhaps has nothing whatever to do with happiness.
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Was driving through the countryside today with some people who insisted upon frequent recourse to a roadmap in order to discover, as they put it, "Just where they were." Reflected that for my part I generally have a pretty shrewd idea of just where I am; I am enclosed in the somewhat vulnerable fortress which is my body, and from that uneasy stronghold I make such sorties as I deem advisable into the realm about me. These people seemed to think that whizzing through space in a car really altered the universe for them, but they were wrong; each one remained right in the centre of his private universe, which is the only field of knowledge of which he has any direct experience.
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Art lies in understanding some part of the dark forces and bringing them under the direction of reason.
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Men of action, I notice, are rarely humble, even in situations where action of any kind is a great mistake, and masterly inaction is called for.
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Robertson Davies
Creative Commons
Born:
August 28, 1913
Died:
December 2, 1995
(aged 82)
Bio:
William Robertson Davies was a Canadian novelist, playwright, critic, journalist, and professor.
Known for:
Fifth Business (1970)
The Manticore (1972)
The Rebel Angels (1981)
What's Bred in the Bone (1985)
World of Wonders (1975)
Most used words:
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life
man
time
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modern
god
experience
feel
age
young
spirit
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