Sculptor Quotes

Joan Miró

Auguste Rodin

Max Ernst

Amedeo Modigliani

Alberto Giacometti

Georges Braque

Aristide Maillol

The great artist is conscious of the talent and power he possesses otherwise he would not see his faults and so would not be able to improve.

Henri Gaudier-Brzeska

My intention was to create a work of art which would transcend the visible, which cannot be perceived except in stages, with the understanding that it is a partial revelation and not the perpetuation of the existing. My aim is to show what can be seen within the limits of possibility which exists in the midst of coming into being.

Conceptual Art is a sounding instrument between printed words, luminous writings, and letters scrawled in a hasty nervous instinctive calligraphy.

I remember one day when Juan Gris told me about a bunch of grapes he had seen in a painting by Picasso. The next day these grapes appeared in a painting by Gris, this time in a bowl; and the day after, the bowl appeared in a painting by Picasso.

Jacques Lipchitz

Sculpture is the essence of things, the essence of nature, that which is perpetually human.

Wilhelm Lehmbruck

I don't know if I'm making myself clear, but if I were to accept this business of conceptual art I would have no reason to exist.

Jannis Kounellis

The Romantic painters were already addicted to a cult of the horse as an aristocratic beast.... From Géricault and Constantin Guys [both Romantic French painters] to Degas and Dufy, this cult of the horse found its expression in a new attitude towards sport and military life... In Odilon Redon's visionary renderings of horses and later in those of Picasso and Chirico, we then see the horse become part of the fauna of a world of dreams and myths.

The artist may rightly venture the opinion that he does not convey ideas, does not preach, nor that he intents to convert people by using mass communication techniques... Better than handing out all kinds of wise advice, he could show life itself; he could awake forces lying dormant in everybody, he could launch an invitation to create direct and personal experiences.

At first, I thought I had found in this second figure [a bronze Orpheus, Zadkine made just after his return from New York, in 1944] the perfect solution, but a surprise awaited me. One day my coal merchant delivered to me, here in my studio, some wood for heating; among these logs I found a rudimentary but completely mysterious wooden figure of a man. He seemed to be walking in great strides, his torso suggested by only two simple boards which, in their structure, were very much like an ancient lyre. I immediately began working on a new 'Orpheus', in which the instrument had truly become part of the man.

Do I want to pray or only to think about my human problems? Do I want to pray or simply kneel there contemplating my sorrow? Do I want to direct my prayer toward God or let it direct itself towards me?

Dom Hubert van Zeller

Chaos can be structured as non-chaos. That we know from Jackson Pollock.

The sculptor must search with passionate intensity for the underlying principle of the organisation of mass and tension - the meaning of gesture and the structure of rhythm.

Barbara Hepworth

Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.

In 1968 Ian Wilson made his final sculpture. Since then, he has explored the idea of oral communication as an art form... Wilson's work is very hard to track down, even in terms of documentation. He has been compared to the Socratic philosophers but if there is a similarity between his practice and theirs, it probably lies mainly in the fact that everything we have from that period of philosophy takes the form of secondary fragments embedded in other texts. Wilson's work functions almost like archaeological or geological evidence: it consists of objects that we examine in order to deduce, from scanty clues, what must have happened.

Edward Allington

Everything is love. "HEAVEN ON EARTH" our idea of heaven has been formed by painting and nothing else. I love pure, bright colours, their intellectual clarity of expression conveying nothing but feeling. Painting - the inspired animation of the surface.

Stefan Szczesny

I make all this stuff in the studio, but I also work on these white elephants — like House or Untitled Monument — things that are incredibly ambitious, take an awful long time to do, involve a lot of controversy, an awful lot of people, and don't make any money particularly, but it's just because I need to make them.

Rachel Whiteread

They'll all pee blue for one week to ten days, for about the duration of the show. The first opening I've enjoyed!

I cannot kill. Unfortunately, there are so many who can and do kill. As I cannot kill I cannot authorize others to kill. Do you see? If you are buying from a butcher you are authorizing him to kill — kill helpless, dumb creatures, which neither I nor you could kill ourselves. So that I am for that reason a vegetarian, as most Russians are. For nine years I have been a vegetarian, and I shall be one — mind, I am a man with strong convictions — to the end of my life.

Paolo Troubetzkoy

There is always something missing that torments me.

Camille Claudel

One can pass on responsibility, but not the discretion that goes with it.

Benvenuto Cellini

Work to perfect the mind. There is no certitude but in what the mind conceives.

I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.

Louise Bourgeois

If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work.

In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.

The power and force of stone reside in its mass, its weight, and its density.