Louise Bourgeois Quotes
18 Sourced Quotes
England is very, very important to me, because in my family the English could do no wrong. When my father picked a mistress, it was always an English girl: if he made her pregnant, she could be shipped back to England and he would not be held responsible. It never happened, but I've made a lot of work called The English Can Do No Wrong.
What modern art means is that you have to keep finding new ways to express yourself, to express the problems, that there are no settled ways, no fixed approach. This is a painful situation, and modern art is about this painful situation of having no absolutely definite way of expressing yourself.
At the dinner table when I was very little, I would hear people bickering – the father saying something, the mother choosing to defend herself. To escape the bickering, I started modelling the soft bread with my fingers. With the dough of the French bread – sometimes it was still warm – I would make little figures. And I would line them up on the table and this was really my first sculpture.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women – women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in – older women and younger men.