The Romantic painters were already addicted to a cult of the horse as an aristocratic beast.... From Géricault and Constantin Guys [both Romantic French painters] to Degas and Dufy, this cult of the horse found its expression in a new attitude towards sport and military life... In Odilon Redon's visionary renderings of horses and later in those of Picasso and Chirico, we then see the horse become part of the fauna of a world of dreams and myths.

Interview with Edouard Roditi (1958), p. 86