Novel Quotes

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Writing a novel is like building a wall brick by brick: only amateurs believe in inspiration.

Who are those ever multiplying authors that with unparalleled fecundity are overstocking the world with their quick succeeding progeny? They are novel-writers.

There isn't, unfortunately, any way of discovering whether you can write a publishable novel except by writing it.

Lost Illusion is the undisclosed title of every novel.

Rainer [protagonist in the novel], who is reading The Outsider by Camus, says he would like to put the hostility of the world behind him. Once your hope for something better is taken from you, then at last you have the present all in your hand. Then you yourself are reality. Others are extras. When Rainer contemplated san evening he says that evening is melancholy ceasefire where all life has come to and end.

Elfriede Jelinek

You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery.

Every fall I imagine once again that something wonderful will happen at a party. This is like imagining that the telephone book will prove to be a wonderful novel.

Well, Aimee Semple McPherson has written a book. And were you to call it a little peach, you would not be so much as scratching its surface. It is the story of her life, and it is called In the Service of the King, which title is perhaps a bit dangerously suggestive of a romantic novel. It may be that this autobiography is set down in sincerity, frankness and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.

After all, isn't the purpose of the novel, or of a museum, for that matter, to relate our memories with such sincerity as to transform individual happiness into a happiness all can share?

I should have done my novel before this, but I was a journalist and a junkie for 20 years and unlike the junkie cliché, I had good jobs all over the world. I was a books editor, I did financial journalism for Asia Week for five years, I was Bombay correspondent for the South China Morning Post for 18 months, I worked for every newspaper in India doing arts journalism. I was a hardworking junkie.

You can't ask a man to talk sensibly about the art of painting if he simply doesn't know anything about it. But by God, how can he [Zola was his youth friend, who used Cezanne as a model in his novel 'L'Oeuvre'] dare to say that a painter is done because he has painted one bad picture? When a picture isn't realized, you pitch it in the fire and start another one.

There is not one big cosmic meaning for all, there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person. To seek a total unity is wrong. To give as much meaning to one's life as possible is right to me.

Institutional theory presents a paradox. Institutional analysis is as old as Emile Durkheim's exhortation to study 'social facts as things', yet sufficiently novel to be preceded by new in much of the contemporary literature.

As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft.

... a novel is a prose narrative of some length that has something wrong with it...

Randall Jarrell

My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.

The political dismemberment of these once British colonies from the parent island, though involving a valuable principle, and many possible results, would scarcely merit a yearly commemoration, even in this country, had it not been accompanied by other occurrences more novel, and far more important.

You can tell when a Hollywood historical film was made by looking at the eye makeup of their leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.

The novel is a game or joke shared between author and reader.

The only difficulty is to know what bits to choose and what to leave out. Novel-writing is not creation, it is selection.

Winifred Holtby

"The Lucky One" is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true. You can easily imagine how many ways this story would probably go wrong in real life, but who wants to see a movie where a Marine leans over to pick up a photo and is blown up? And a mom trying to raise her son and feed lots of hungry dogs while her abusive ex-husband gets drunk and hangs around? That kind of stuff is too close to life.

Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. [The Joker] looks like Conrad Veidt — you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. … Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker'. Jerry Robinson had absolutely nothing to do with it. But he'll always say he created it till he dies. He brought in a playing card, which we used for a couple of issues for him [the Joker] to use as his playing card.

The philosophy of Kant's great successors was consciously a synthesis of Spinoza's and Kant's philosophies. Spinoza's characteristic contribution to this synthesis was a novel conception of God. He thus showed the way toward a new religion or religiousness which was to inspire a wholly new kind of society, a new kind of Church.

I would like him to use certain words in a metaphorical sense, whenever it is appropriate, putting them to novel use like a gardener grafting a branch on to a healthier trunk, and so increasing their attractiveness and beauty.

Baldassare Castiglione

People love actors. They love reading about them and thinking about their lives. But they also secretly hate them. They think their lives are frivolous and all they do is go to parties, and they don't know real problems... There's something at the root of our love-hate relationship with celebrity that I think has the makings, if you could do it in a really substantive way, of a great modern American novel.