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Jeet Thayil Quotes
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It came pretty late In a sense it is good. It won't get over my head.
Jeet Thayil
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You may lose something, but you gain a double perspective, a double vision. Especially in terms of writing, or in terms of art, I think it's tremendously useful.
Jeet Thayil
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All I did was write it down, one word after the other, beginning and ending with the same one, Bombay.
Jeet Thayil
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You've got to face facts and the fact is life is a joke, a fucking bad joke, or, no, a bad fucking joke.
Jeet Thayil
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I've spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. Writing badly will make you ill. What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.
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The thing about opium is that it makes you vomit. You cook the original raw sticky pellet against the bowl of the pipe. And for the first three or four months, you puke. But it's a clean very easy puke, not like alcohol. You could be walking down the street talking to a friend, turn, puke and keep going. But you do that a lot for the first few months. It takes devotion to become an addict to opium and heroin. You have to keep doing it to get through it. I lost a lot of weight. But the payback is huge. It is pure pleasure. There is a reason why opiates are used as a painkiller: they make you feel better. They're designed to make you feel better.
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We didn't know that right before us Hari Kunzru and Amitava Kumar had just read from The Satanic Verses in a separate session. The minute I finished, people were queuing for me to sign copies of Narcopolis. But we were taken to this room where Hari and Amitava were sitting and we weren't allowed to leave. There was a lawyer, there were police on site and they threatened to close down the festival which made all of us feel like shit. I was full of remorse, because the directors are our friends and we knew how much work they had put into it, but I don't think we were really in trouble. Even though we were told to make ourselves scarce.
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Then there are the addicts, the hunger addicts, the rage addicts, the poverty addicts, and power addicts, and the pure addicts who are addicted not to substances but to the oblivion and the tenderness the substances engender. An addict, if you don't mind me saying so, is like a saint. What is a saint but someone who has cut himself off, voluntarily, from the world's traffic and currency.
Jeet Thayil
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We're waiting for a glance or a word, some acknowledgement that we are here.
Jeet Thayil
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The world is on fire; time is a bomb.
Ten thousand years are not enough
When so much remains to be done
Jeet Thayil
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Indian reviewers don't read books. They have two days to produce 800 words. They read the prologue and then skim a few pages, then they read all the other reviews. If the first two are negative, you can be sure they will all be negative. If the first two are good, the rest will be good. It's that low-level, that pathetic. It takes a kind of confidence for a reviewer to have their own opinion about a book. And a lot of people here just don't care about literary novels.
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A lot of people misspelt the title of the book and called it Necropolis, but I'm fine with that, because the title is a play on that and it is a city of the dead. Narcopolis is a necropolis. Bombay disappears and a lot of the characters die with it. Throughout the book, opium disappears and heroin arrives and the last few chapters point at the future, to what Bombay will be. You can make an accurate educated guess as to what it will be in the future.
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It would be nice if things changed in the sense that they became more cosmopolitan, more inclusive, wider rather than narrower, with a kind of a view towards the future and a view towards many different kinds of people and people from different cultures living together. Because that's what a city really is about... That's the beauty of a great city. And the sad thing is, there was a time when you thought Bombay had it.
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It had people from all over the country and the world. The great thing about Bombay as a city was it was a magnet for anybody with talent, or ambition or hunger, or beauty, or intelligence. If you had any of these things and you wanted to make something of yourself, you went to Bombay and the city would reward you. I think all of that changed in 1992, when the last big riots happened in Bombay between Hindus and Muslims. Now when I go back to the city and I look at it, I can see the kind of profound impact that those riots had, and how it's changed the character of the city, and in such a profound way that I don't think it will ever change back to what it was before '92.
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How will the ships navigate without stars? And then he remembered that the stars were dead, long dead, and the light they shed was not to be trusted, was false, if not an outright lie, and in any case was inadequate, unequal to its task, which was to illuminate the evil that men did.
Jeet Thayil
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Yet, this is a small price I have had to pay for seeking to uphold the freedom of speech and expression.
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When you hear the name Babur, both sides – Hindus and Muslims – get excited. In Bombay you will get a Hindu backlash, in Hyderabad a Muslim backlash. We live in an insane country. We wouldn't have to worry about the Christians or the Parsis and probably not the Buddhists. Very, very depressing.
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I was born in the south of India but I've never lived there. I went to school in Bombay, and in Hong Kong and in New York. But the place I've lived in the most is Bombay, because I've been there at various stages of my life.
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I should have done my novel before this, but I was a journalist and a junkie for 20 years and unlike the junkie cliché, I had good jobs all over the world. I was a books editor, I did financial journalism for Asia Week for five years, I was Bombay correspondent for the South China Morning Post for 18 months, I worked for every newspaper in India doing arts journalism. I was a hardworking junkie.
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Because that's where I live, and have lived for a few years now. I wouldn't say in food tastes, for instance, that I'm Indian. I would say I'm Chinese, food-wise. That's the food that I like to eat on a daily basis. It's common for people to be a mix of cultures, rather than having one specific identity.
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I could feel my colour. I could feel racism... in the way people looked at you, and the way they talked to you. Now, though, because of the mixing of cultures, it seems like some kind of brilliant social experiment... In some ways it seems to me the city of the future.
Jeet Thayil
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... body with a concomitant object of gratification, the desire for immortality is in itself the evidence of immortality, as is the existence of its sister state, immutability.
Jeet Thayil
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Opium use is a quick way of showing a person's character. Within months some people would be stealing from family and friends, but there were people who never did that kind of thing. I used my salary to finance my habit.
Jeet Thayil
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Drugs are a bad habit, so why do it? Because, said Dimple, it isn't the heroin that we're addicted to, it's the drama of the life, the chaos of it, that's the real addiction and we never get over it; and because when you come down to it, the high life, that is, the intoxicated life, is the best of the limited options offered.
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I found Bombay and opium, the drug and the city, the city of opium and the drug Bombay
Jeet Thayil
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My religion is no way of knowing me. Mine is a way of knowing me. When I pray I feel I'm doing something clean. But why pray so the whole neighbourhood hears your prayers? Why use microphones?
Jeet Thayil
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Women are more evolved biologically and emotionally, that's well known and it's obvious. But they confuse sex and the spirit; they don't separate. Men, as you know, always separate: they separate their human and dog natures.
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Because now there's time enough not to hurry, to light the lamp and open the window to the moon and take a moment to dream of a great and broken city, because when the day starts its business I'll have to stop, these are night-time tales that vanish in the sunlight like vampire dust
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He read because it gave him instant gratification in a way nothing else did, and, as was the case with all addicts, gratification was the important thing. He liked history, travel, anthropology, cookbooks (which he read in the same way as other books for pleasure); he liked books with specialized information.
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A friend from Hong Kong had turned up in Bombay and took me to an opium den in Crawford Market. I walked in and saw this room with three pipes. Everything happened at floor level. It was like a bubble: Bombay noise and heat out there, 19th-century people lying and smoking in here, absolutely self-contained. I couldn't look at that and not think of it as a piece of literary installation art. I walked in the door and I was hooked. I smoked that day, and loved it and went back. A month or so later I got an aerogramme from my friend saying, Jeet, get your ass out of that den.
Jeet Thayil
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Jeet Thayil
Creative Commons
Born:
October 13, 1959
(age 65)
Bio:
Jeet Thayil is an Indian poet, novelist, librettist and musician. He is best known as a poet and is the author of four collections: These Errors Are Correct, English, Apocalypso and Gemini.
Most used words:
bombay
city
people
read
opium
addicts
feel
years
life
time
kind
bad
future
months
separate
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