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Roger Ebert Quotes
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There is a scene in this film where a character is defecated on by several people at the same time, and I dunno … I didn't enjoy it.
Roger Ebert
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Life always has an unhappy ending, but you can have a lot of fun along the way, and everything doesn't have to be dripping in deep significance.
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Call me hardhearted, call me cynical, but please don't call me if they make Home Alone 3.
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The movie is being revived around the country for midnight cult showings. Midnight is not late enough.
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But now here is the director's cut, which is 20 minutes shorter, lops off a couple of characters and a few of the infinite subplots, and is even more of a mess. I recommend that Kelly keep right on cutting until he whittles it down to a ukulele pick.
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No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11.
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I could list some Japanese films illustrating this, but the last thing the audience for Memoirs of a Geisha wants to see is a more truthful film with less gorgeous women and shabbier production values.
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What happens in a fantasy can be more involving than what happens in life, and thank goodness for that.
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Is xXx a threat to the Bond franchise? Not a threat so much as a salute. I don't want James Bond to turn crude and muscular on me; I like the suave style. But I like Xander, too, especially since he seems to have studied Bond so very carefully.
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I am informed that 5,000 cockroaches were used in the filming of Joe's Apartment. That depresses me, but not as much as the news that none of them were harmed during the production.
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If you plan to miss this movie, better miss it quickly; I doubt if it'll be around to miss for long.
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Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?
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Parents: If you encounter teenagers who say they liked this movie, do not let them date your children.
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Sean Penn never tries to show Harvey Milk as a hero, and never needs to. He shows him as an ordinary man, kind, funny, flawed, shrewd, idealistic, yearning for a better world. He shows what such an ordinary man can achieve. Milk was the right person in the right place at the right time, and he rose to the occasion. So was Rosa Parks. Sometimes, at a precise moment in history, all it takes is for one person to stand up. Or sit down.
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Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.
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Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.
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Why must a film explain everything? Why must every motivation be spelled out? Aren't many films fundamentally the same film, with only the specifics changed? Aren't many of them telling the same story? Seeking perfection, we see what our dreams and hopes might look like. We realize they come as a gift through no power of our own, and if we lose them, isn't that almost worse than never having had them in the first place? There will be many who find "To the Wonder" elusive and too effervescent. They'll be dissatisfied by a film that would rather evoke than supply. I understand that, and I think Terrence Malick does, too. But here he has attempted to reach more deeply than that: to reach beneath the surface, and find the soul in need.
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This is a plot, if ever there was one, to illustrate King Lear's complaint, "As flies to wanton boys, are we to the gods; They kill us for their sport." I am aware this is the second time in two weeks I have been compelled to quote Lear, but there are times when Eminem simply will not do.
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Does the real world have any more substance than visions and hallucinations — when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
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When a girl says she likes you as a friend, what she means is: "Rather than have sex with you, I would prefer to lose you as a friend."
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I Am Curious (Yellow) is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds... I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking.
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Of all the arts, movies are the most powerful aid to empathy, and good ones make us into better people.
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What every human being should do is eat a vegetarian diet based on whole foods. Period. That's it. Animal protein is bad for you. Dairy is bad for you. Forget the ads: Milk and eggs are bad for you.
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I know as a critic I'm required to have a well-armored heart. I must be a cynical wise guy to show my great sophistication. No pushover, me.
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Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?
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It is an interesting law of romance that a truly strong woman will choose a strong man who disagrees with her over a weak one who goes along. Strength demands intelligence, intelligence demands stimulation, and weakness is boring. It is better to find a partner you can contend with for a lifetime than one who accommodates you because he doesn't really care. … Sixty seconds of wondering if someone is about to kiss you is more entertaining than 60 minutes of kissing. … Spill the beans, and the conversation is history. Speak in code, with wit and challenge, and the process of decryption is like foreplay.
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You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I've seen... Its only flaw is that it's disgusting.
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We exist to have our wealth moved up the economic chain out of our reach.
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Only enormously talented people could have made Death to Smoochy. Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.
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The vast majority of the members of all religions, I believe and would argue, don't want to kill anybody. They want to love and care for their families, find decent work that sustains life and comfort, live in peace and get along with their neighbors. It is a deviant streak in some humans, I suspect, that drives them toward self-righteous violence, and uses religion as a convenient alibi... I am trying as hard as I can to imagine the audience for this movie. Every time I make any progress, it scares me.
Roger Ebert
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Roger Ebert
Creative Commons
Born:
June 18, 1942
Died:
April 4, 2013
(aged 70)
Bio:
Roger Joseph Ebert was an American film critic and historian, journalist, screenwriter and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013.
Known for:
Life Itself
At the Movies (1986 – 2010)
Beyond the Valley of the Dolls (1970)
Ebert Presents: At the Movies (2011)
Sneak Previews (1975 – 1996)
Most used words:
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people
time
life
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bad
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find
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story
kind
child
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feel
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