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One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.
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This movie was made by professionals. Do not attempt any of this behavior yourself.
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The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.
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I saw The Lonely Guy all by myself. It was one of those Saturday afternoons where the snow is coming down gray and mean, and you can't even get a decent recorded message on the answering machines of strangers … "Good luck," an usher told me. "You're going to need it." He was right … The Lonely Guy is the kind of movie that seems to have been made to play in empty theaters on overcast January afternoons … [It] is the kind of movie that inspires you to distract yourself by counting the commercial products visible on the screen, and speculating about whether their manufacturers paid fees to have them worked into the movie. I counted two Diet 7-Ups, two Tabs, and Steve Martin.
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Teaching prejudice to a child is itself a form of bullying. You've got to be taught to hate.
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Dogs notice, they share, they draw conclusions, they like it when they're able to be of service and are touchingly grateful when they're praised.
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Khan is played as a cauldron of resentment by Ricardo Montalban, and his performance is so strong that he helps illustrate a general principle involving not only Star Trek but Star Wars and all the epic serials, especially the James Bond movies: Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph.
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Crowds can be frightening. They have a way of impressing the low, base taste upon their members. Watching the way thousands of people in his audience could not think for themselves, could not find the courage to allow their ordinary feelings of decency and taste to prevail, I understood better how demagogues are possible.
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This sort of scenario has happened, I imagine, millions of times. It has rarely happened in a nicer, sweeter, more gentle way than in Richard Linklater's "Before Sunrise," which I could call a "Love Affair" for Generation X, except that Jesse and Celine stand outside their generation, and especially outside its boring insistence on being bored.
The R rating for this film, based on a few four-letter words, is entirely unjustified. It is an ideal film for teenagers.
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Watching Avatar, I felt sort of the same as when I saw Star Wars in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his Titanic was. Once again, he has silenced the doubters by simply delivering an extraordinary film. There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.
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It's easier to identify with loss than love, because we have had so much more experience of it.
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For me, the movies are like a machine that generates empathy.
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... in New Year's Eve, we look out over the surging throng of ecstatic celebrants, and the sea of humanity is blue. They're all wearing freebie hats from Nivea skin creme. No hats for the Knicks, Budweiser or I Heart [sic] New York. All Nivea skin creme. Countless hats of Nivea blue. I've heard of product placement, but this is carpet bombing.
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Much has been written about Generation X and the films about it. Clerks is so utterly authentic that its heroes have never heard of their generation. When they think of "X," it's on the way to the video store.
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'Abraham Lincoln: Vampire Hunter' is without a doubt the best film we are ever likely to see on the subject - unless there is a sequel, which is unlikely, because at the end, the Lincolns are on their way to the theater.
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Why did they give an R rating to a movie perfect for teenagers?
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It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
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All but a very few of us are in debt. We exist as entities who borrow money and spend the rest of our lives making interest payments on a debt tally that never seems to budge. Whatever wealth we have, in labor, property or cash, is suctioned to the top.
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By the end of this long film, I would have traded any given gladiatorial victory for just one shot of blue skies... Gladiator lacks joy. It employs depression as a substitute for personality, and believes that if the characters are bitter and morose enough, we won't notice how dull they are.
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Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame..."This movie," said the lady in front of me at the drinking fountain, "is the worst piece of shit I have ever seen."
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The moment a man stops dreaming is the moment he petrifies inside.
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I do not demand that all movies have a story to pull us from beginning to end, and indeed one of the charms of The Big Lebowski, the Coens' previous film, is how its stoned hero loses track of the thread of his own life. But with O Brother, Where Are Thou? I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film.
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The elements in The Wizard of Oz powerfully fill a void that exists inside many children. For kids of a certain age, home is everything, the center of the world. But over the rainbow, dimly guessed at, is the wide earth, fascinating and terrifying. There is a deep fundamental fear that events might conspire to transport the child from the safety of home and strand him far away in a strange land. And what would he hope to find there? Why, new friends, to advise and protect him. And Toto, of course, because children have such a strong symbiotic relationship with their pets that they assume they would get lost together.
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"The Lucky One" is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true. You can easily imagine how many ways this story would probably go wrong in real life, but who wants to see a movie where a Marine leans over to pick up a photo and is blown up? And a mom trying to raise her son and feed lots of hungry dogs while her abusive ex-husband gets drunk and hangs around? That kind of stuff is too close to life.
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You slide down in your seat and make yourself comfortable. On the screen in front of you, the movie image appears—enormous and overwhelming. If the movie is a good one, you allow yourself to be absorbed in its fantasy, and its dreams become part of your memories
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The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene... is the movie vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.
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For 40 years, I didn't miss a single deadline, but since July, I have missed every one. I also, to my intense disappointment, missed the Telluride and Toronto film festivals. Having just written my first review since June (The Queen), I think an update is in order.
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Rollerball is an incoherent mess, a jumble of footage in search of plot, meaning, rhythm and sense. There are bright colors and quick movement on the screen, which we can watch as a visual pattern that, in entertainment value, falls somewhere between a kaleidoscope and a lava lamp.
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Some of the acting is better than the film deserves. Make that all of the acting. Actually, the film stock itself is better than the film deserves. You know when sometimes a film catches fire inside a projector? If it happened with this one, I suspect the audience might cheer.
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Is that a sacrilege that I praise a Holocaust movie [Schindler's List] for being entertaining? The word doesn't imply that a movie need be cheerful. In my mind, entertainment in this genre springs from characters who are brought to full life, who we care about and who are set in a powerful story. My motto: "No good movie is depressing. All bad movies are depressing."
Roger Ebert
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Roger Ebert
Creative Commons
Born:
June 18, 1942
Died:
April 4, 2013
(aged 70)
Bio:
Roger Joseph Ebert was an American film critic and historian, journalist, screenwriter and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013.
Known for:
Life Itself
At the Movies (1986 – 2010)
Beyond the Valley of the Dolls (1970)
Ebert Presents: At the Movies (2011)
Sneak Previews (1975 – 1996)
Most used words:
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people
time
life
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bad
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find
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story
kind
child
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