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The poet is, etymologically, the maker. Like all makers, he requires a stock of raw materials — in his case, experience. Now experience is not a matter of having actually swum the Hellespont, or danced with the dervishes, or slept in a doss-house. It is a matter of sensibility and intuition, of seeing and hearing the significant things, of paying attention at the right moments, of understanding and co-ordinating. Experience is not what happens to a man; it is what a man does with what happens to him. It is a gift for dealing with the accidents of existence, not the accidents themselves. By a happy dispensation of nature, the poet generally possesses the gift of experience in conjunction with that of expression.
A slender acquaintance with the world must convince every man, that actions, not words, are the true criterion of the attachment of his friends, and that the most liberal professions of good will are very far from being the surest marks of it. I should be happy that my own experience had afforded fewer examples of the little dependence to be placed upon them.