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Orson Welles Quotes
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
Orson Welles
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If you want a happy ending, that depends, of course, on where you stop your story.
Orson Welles
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Everything about me is a contradiction, and so is everything about everybody else. We are made out of oppositions; we live between two poles. There's a philistine and an aesthete in all of us, and a murderer and a saint. You don't reconcile the poles. You just recognize them.
Orson Welles
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In Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace - and what did that produce? The cuckoo clock.
Orson Welles
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This theatre is your theatre. You are responsible for its creation and its progress.
Orson Welles
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Even if I'd stayed [in the US] to finish The Magnificent Ambersons I would've had to make compromises on the editing, but these would've been mine and not the fruit of confused and often semi-hysterical committees. If I had been there myself I would have found my own solutions and saved the pictures in a form which would have carried the stamp of my own effort.
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I was spoiled in a very strange way as a child, because everybody told me, from the moment I was able to hear, that I was absolutely marvelous, and I never heard a discouraging word for years, you see. I didn't know what was ahead of me.
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I have only one real enemy in my life that I know about, and that is John Houseman. Everything begins and ends with that hostility behind the mandarin benevolence.
Orson Welles
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"We know a little place in the American Far West, where Charlie Briggs chops up the finest prairie-fed beef and tastes..." (pauses, and continues with a note of disgust in his voice) This is a lot of shit, you know that! You want one more? One more on the beef?
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I don't want any description of me to be accurate; I want it to be flattering. I don't think people who have to sing for their supper ever like to be described truthfully - not in print anyway. We need to sell tickets, so we need good reviews.
Orson Welles
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I love moving around from town to town. I never got on a train in my life without my spirits rising.
Orson Welles
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The truth about any man can only be calculated by the sum of everything that has been said about him.
Orson Welles
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A bad word from a colleague can darken a whole day. We need encouragement a lot more than we admit, even to ourselves.
Orson Welles
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Almost all serious stories in the world are stories of failure with a death in it. But there is more lost paradise in them than defeat.
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The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.
Orson Welles
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A good artist should be isolated. If he isn't isolated, something is wrong.
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The ideal American type is perfectly expressed by the Protestant, individualist, anti-conformist, and this is the type that is in the process of disappearing. In reality there are few left.
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If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
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A film is never really good unless the camera is an eye in the head of a poet.
Orson Welles
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It isn't worth it. No money is worth this... [walks out].
Orson Welles
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He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."
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I think I made essentially a mistake in staying in movies but it's a mistake I can't regret because it's like saying I shouldn't have stayed married to that woman but I did because I love her. I would have been more successful if I hadn't been married to her, you know. I would have been more successful if I'd left movies immediately, stayed in the theatre, gone into politics, written, anything. I've wasted a greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. I'ts about two percent movie-making and ninety-eight percent hustling. It's no way to spend a life.
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I don't regard my career as something so precious that it comes before my convictions.
Orson Welles
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There are only two emotions in a plane: boredom and terror.
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The only way to stay out of trouble is to grow old, so I guess I'll concentrate on that. Maybe I'll live so long that I'll forget her—maybe I'll die trying.
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If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
Orson Welles
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I hate television. I hate it as much as peanuts. But I can't stop eating peanuts.
Orson Welles
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In Italy for thirty years under the Borgias they had warfare, terror, murder, bloodshed—they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, five hundred years of democracy and peace and what did that produce…? The cuckoo clock.
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A certain great and powerful king once asked a poet: "What can I give you of all that I have?" He wisely replied, "Anything sir... except your secret."
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Don't let Ted Turner deface my movie with his crayons
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Quote of the day
We are half ruined by conformity, but we should be wholly ruined without it.
Charles Dudley Warner
Orson Welles
Creative Commons
Born:
May 6, 1915
Died:
October 10, 1985
(aged 70)
Bio:
George Orson Welles was an American actor, director, writer, and producer who worked in theatre, radio, and film.
Known for:
Citizen Kane (1941)
Touch of Evil (1958)
Chimes at Midnight (1965)
The Magnificent Ambersons (1942)
The Trial (1962)
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