Asger Jorn Quotes

43 Sourced Quotes

We are sparks that must glow as brightly as possible.

Asger Jorn
To understand the magic way of thinking you have to know non-magic thinking. If you see that clearly, you will see how many magic thoughts are necessary elements even of natural science today. There seems to be just as much magic thinking in modern thought as in older; only it takes place in other areas.

Asger Jorn
You can often give a better description of the fight between people, the essentials of it, by means of fantastic animals, the simple, primitive, naked instincts, than by depicting a specific situation. It is not the human animal we should describe, but ourselves as human animals.

Asger Jorn
Our experiments [by the artists of 'Cobra'] the aim at letting thought express itself spontaneously without the control which reason represents. By means of this irrational spontaneity we get closer tot the vital source of life. Our goal is to liberate ourselves from the control of reason which has been and still is the thing which the bourgeoisie has idealized to seize control of life.

Asger Jorn
Being an artist is being an isolated individual. But the development of the creative foundation of the encumbers the individual artists more and more with the prevailing problems. You are of your time whether you like it or not. Developing ones foundation to an artist means continually revising it. The artistic formulae wear thin quickly and yet daily the artist — when developing his own foundation — must enter his own time and the problems of other contemporary artists. Paths cross and the soil of time is starting to be turned.

Asger Jorn
The reckoning with idealism as a view of life is universal, but it also touches on something central in art-its life's substance. One must understand that it is impossible to distinguish between a picture's form and its substance. As the flower's structure is governed by the intentional tension (when it loses the sap the form is lost), so also with art the substance creates the tension. Form and substance are one and the same. Form is the life expression and substance the living painting.

Asger Jorn
It has been the giver's intention to create as complete a collection of European art as possible, with the aim of illuminating Surrealism and Spontaneous-Abstract art.

Asger Jorn
The act of expressing oneself is a physical one. It materializes the thought.

Asger Jorn
Those who try to combat the production of shoddy pictures are enemies of the best art today. Those woodland lakes in a thousand sitting-rooms with gold-tinted wallpaper belong to the profoundest inspirations of art. It always feels tragic to see people labouring to saw off the branch they are sitting on.

Asger Jorn
Breton's Surrealists wanted to place themselves outside. What is it what they want to put outside? Pure thought. That is, the only metaphysical world, reflection. But from a materialistic standpoint thought is a reflection of matter — as in a mirror. The metaphysical world is not able to surmount the material world which produces it. One has to think of SOMETHING. But for thought to be dialectical, it's object / it's "thing" must cease to be attached to everyday life.

Asger Jorn
We are not talking about a new cognition in relation to Abstract art, rather a new area of cognition... This is where abstract art steps in, in a stronger sense of life, a stronger contact with the growing life, a feeling of the pulsation of life and growth in oneself, an activation of deep-seated powers a staple vitality far deeper than our cognition, not instead of science but inspired by it.

Asger Jorn
[My own goal is] to be completely empty of ideas at the moment of setting brush to canvas, the head being just as empty as the canvas.

Asger Jorn
Be modern
collectors, museums
if you have old paintings
do not despair
Retain your memories
but detourn them
so that they correspond with your era.
Why reject the old
if one can modernize it
with a few strokes of the brush.
This casts a bit of contemporaneity
on your old culture.
Be up to date
and distinguished
at the same time.
Painting is over
You might as well finish it off
Detourn (détournez)
Long live painting.

Asger Jorn
Beautiful, ugly, impressive, disgusting, meaningless, grim, contradictory etc... It makes no difference, as long as it is life, vigorously pouring forth.

Asger Jorn
An example of this way of thinking is an exchange that took place when someone told Goethe that he admired him for his genius, towering over German intellectual life like a gigantic mountain, to which Goethe replied that "great mountains are found only in mountainous landscapes." The traditional history of art is concerned exclusively which such mountain peaks, and often, as Goethe critically pointed out, they are not even seen in relation to each other.

Asger Jorn
This calls for an explanation and it may be this, that no painting, however good it seems to us is anything in itself, except chemicals smeared on a flat surface. The value in the work of art is in the spectator, you see, and a painting has no bigger value than the mental and intellectual forces it arouses in the spectator.

Asger Jorn
Nordic art casts a spell on the mind which ranges from laughter to tears and from tears to violent rage. One can see how dangerous it is, we can be tyrannized by a cynical person endowed with the power of art. Much has been said about this demonic aspect. In it lies the ultimate demand that the artist must take responsibility for the states of mind that he produces, or at least he must answer for them by knowing them in his own person. This psychic demand in both the artist and the viewer has made Expressionist art so hated by devotees of aestheticism and formalism.

Asger Jorn
There is also, for instance, a direct symbolic strength in the words 'Say it with flowers', which makes that poem one of the cornerstones of Danish lyricism. It has stood out like a boot of an exceptionally fine fit..

Asger Jorn
Even here, nothing ever happens; and nothing ever happens to it.

Asger Jorn
To get anywhere, one must choose one's mistakes, I chose experimental acts.

Asger Jorn
We cannot inherit a fixed, unmoving view of life and of art from the past generation. The expression of art is in any period different, as are our experiences. A new experience creates a new form. We like to learn all we need from earlier generations, but we have to find out for ourselves what we need; nobody else can do that for us. It is not our business to receive and work on what the earlier generation might want us to work on. On the other hand, it is its business to help us where we want its help.

Asger Jorn
There can be no question of selecting in any direction, but of penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life.

Asger Jorn
If you add something to a painting, never let it be for aesthetic reasons. Only let it be for reasons of expression.

Asger Jorn
The great work of art is the complete banality, and the fault with most banalities is that they are not banal enough. Banality here is not infinite in its depth and consequence, but rests on a foundation of spirituality and aesthetics.

Asger Jorn
If the image was sketched onto the canvas and spontaneously drawn, colour would often be restrained and unfree... The most important and the most difficult liberation process we went trough, the one that has distinguished our art, was the freeing of colour, the transition to a painterly spontaneity.

Asger Jorn
We have defined art as the life form and aesthetic art as the life renewal: the stimulating, animating, agitating, inspiring, inspirational, fermenting, fascinating fanaticising, explosive and outrageous: the renewal of the unknown.

Asger Jorn
This is what aesthetics, development and progress depend upon: that we go out on thin ice.

Asger Jorn
The reverse process is extremely important to me — that artistic images can inspire to words and different myths, and that in certain cultures this process has been the normal relation between images and words. It is known as a rule in the so-called Germanic art, and through the middle ages heaps of such stories are directly inspired by fantastic images.

Asger Jorn
The picture's substance reflects the painter's substance, showing how much he has felt of himself and his society, how much he spans and how deep his experience goes.

Asger Jorn
This is not an objective, historical or psychological evaluation of Danish experimental art and its historical roots, but an ideological and artistic, collective representation of our own work, thoughts, and ideas. It shows how we ourselves view our work and our way of working, and considers which of the many traditions that make up our foundation we feel connected to.

Asger Jorn