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There are also in some places springs which have the peculiarity of giving fine singing voices to the natives, as at Tarsus in Magnesia and in other countries of that kind.
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These are, of course, some things which, for utility's sake, must be made of the same size in a small theatre, and a large one: such as the steps, curved cross-aisles, their parapets, the passages, stairways, stages, tribunals, and any other things which occur that make it necessary to give up symmetry so as not to interfere with utility.
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Since, on account of the proximity of the stone-quarries... nearest to the city, necessity drives us to make use of their products, we must proceed as follows if we wish our work to be finished without flaws. Let the stone be taken from the quarry two years before building is to begin, and not in winter, but in summer. Then let it lie exposed in an open place. Such stone as been damaged by the two years of exposure should be used in the foundations. The rest, which remains unhurt, has passed the test of nature and will endure in those parts of the building which are above ground. This precaution should be observed, not only with dimension stone, but also with the rubble which is to be used in walls.
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Eurythmy is beauty and fitness in the adjustments of the members. This is found when the members of a work are of a height suited to their breadth, of a breadth suited to their length, and, in a word, when they all correspond symmetrically.
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Quoth he [Alexander] "... as a newborn babe cannot be nourished without the nurse's milk, nor conducted to the approaches that lead to growth in life, so a city cannot thrive without fields and the fruits thereof pouring into its walls."
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The third order, called Corinthian, is an imitation of the slenderness of a maiden; for the outlines and limbs of maidens, being more slender on account of their tender years, admit of prettier effects in the way of adornment.
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The word "universe" means the general assemblage of all nature, and it also means the heaven that is made up of the constellations and the courses of the stars.
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Noting all these things with the great delight which learning gives, we cannot but be stirred by these discoveries when we reflect upon the influence of them one by one.
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These rules for symmetry were established by Hermogenes, who was also the first to devise the principal of the pseudodipteral octastyle.
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There are two styles of walls "opus reticulatum," now used by everybody and the ancient style called "opus incertum." Of these, the reticulatum looks better, but its construction makes it likely to crack... On the other hand, in the opus incertum, the rubble lying in courses and imbricated, makes a wall which though not beautiful, is stronger.
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Pozzolana.—There is... a kind of powder which from natural causes produces astonishing results. It is found in the neighborhood of Baiae and in the country belonging to the towns round about Mt. Vesuvius. This substance when mixed with lime and rubble not only lends strength to buildings of other kinds, but even when piers of it are constructed in the sea, they set hard under water.
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Wind is a flowing wave of air, moving hither and thither indefinitely. It is produced when heat meets moisture, the rush of heat generating a mighty current of air. That this is the fact we may learn from bronze eolipiles, and thus by means of a scientific invention discover a divine truth lurking in the laws of the heavens. Eolipiles are hollow bronze balls, with a very small opening through which water is poured into them. Set before a fire, not a breath issues from them before they get warm; but as soon as they begin to boil, out comes a strong blast due to the fire. Thus from this slight and very short experiment we may understand and judge of the mighty and wonderful laws of the heavens and the nature of winds.
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The part which is nearest to the earth... is without knots and is "clear." But the upper part, on account of the great heat in it throws up branches into the air through the knots and this... is called "knotwood" because of its hardness and knottiness. The lowest part, after the tree is cut down and the sapwood of the same thrown away, is split up into four pieces and prepared for joiner's work, and so is called clearstock.
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Architecture depends on Order, Arrangement, Eurythmy, Symmetry, Propriety, and Economy.
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In accordance with the foregoing investigations on mathematical principles, let bronze vessels be made, proportionate to the size of the theatre, and let them be so fashioned that, when touched, they may produce with one another the notes of the fourth, the fifth, and so on up the double octave.
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I will prefix the motives which originally gave rise to buildings and the development of inventions in this field, following in the steps of early nature and of those writers who have devoted treatises to the origins of civilization and the investigation of inventions. My exposition will, therefore, follow the instruction which I have received from them.
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All... must be built with due reference to durability, convenience, and beauty. Durability will be assured when foundations are carried down to the solid ground and materials wisely and liberally selected; convenience, when the arrangement of the apartments is faultless and presents no hindrance to use, and when each class of building is assigned to its suitable and appropriate exposure; and beauty, when the appearance of the work is pleasing and in good taste, and when its members are in due proportion according to correct principles of symmetry.
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The difference between "machines" and "engines" is obviously this, that machines need more workmen and greater power to make them take effect, as for instance ballistae and the beams of presses. Engines, on the other hand, accomplish their purpose at the intelligent touch of a single workman,...
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In the midst of all this great variety of subjects, an individual cannot attain to perfection in each, because it is scarcely in his power to take in and comprehend the general theories of them.
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All the gifts which fortune bestows she can easily take away; but education, when combined with intelligence, never fails, but abides steadily on to the very end of life.
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After insuring on these principles the healthfulness of the future city... the next thing to do is to lay the foundations for the towers and walls. Dig down to solid bottom, if it can be found, and lay them therein, going as deep as the magnitude of the proposed work seems to require. They should be much thicker than the part of the walls that will appear above ground and their structure should be as solid as it can possibly be laid.
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But basilicas of the greatest dignity and beauty may also be constructed in the style of that one which I erected, and the building of which I superintended at Fano.
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Cold winds are disagreeable, hot winds enervating, moist winds unhealthy.
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Bricks... should not be made of sandy or pebbly clay, or of fine gravel, because when made of these kinds they are in the first place heavy; and secondly when washed by the rain as they stand in walls, they go to pieces and break up, and the straw in them does not hold together on account of the roughness of the material. They should rather be made of white and chalky or of red clay, or even of a coarse grained gravelly clay. These materials are smooth and therefore durable; they are not heavy to work with, and are readily laid.
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In theatres... there are the bronze vessels in which are placed in niches under the seats in accordance with the musical intervals on mathematical principles. These vessels are arranged with a view to musical concords or harmony, and apportioned in the compass of the fourth, the fifth, and the octave, and so on up to the double octave, in such a way that when the voice of an actor falls in unison with any of them its power is increased, and it reaches the ears of the audience with greater clearness and sweetness. Water organs too, and the other instruments which resemble them cannot be made by one who is without the principles of music.
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Quote of the day
Now if the harvest is over, And the world cold, Give me the bonus of laughter, As I lose hold.
John Betjeman
Vitruvius
Born:
80 BC
Died:
15 BC
(aged 65)
Bio:
Marcus Vitruvius Pollio, commonly known as Vitruvius, was a Roman author, architect, civil engineer and military engineer during the 1st century BC, known for his multi-volume work entitled De architectura.
Known for:
De architectura: libri decem
The Architecture of Marcus Vitruvius Pollio
D'architecture
Most used words:
walls
water
work
stone
brick
fire
nature
sand
buildings
air
moisture
principles
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