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With the present importance of the city [of Rome] and the unlimited numbers of its population, it is necessary to increase the number of dwelling-places indefinitely. Consequently, as the ground floors could not admit of so great a number living in the city, the nature of the case has made it necessary to find relief by making the buildings high. In these tall piles reared with piers of stone, walls of burnt brick, and partitions of rubble work, and provided with floor after floor, the upper stories can be partitioned off into rooms to very great advantage. The accommodations within the city walls being thus multiplied as a result of the many floors high in the air, the Roman people easily find excellent places in which to live.
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What is called "sponge stone" or "Pompeian pumice" appears to have been reduced by burning from another kind of stone to the condition of the kind which we see. The kind of sponge-stone taken from this region is not produced everywhere else, but only about Aetna and among the hills of Mysia which the Greeks call the "Burnt District," and in other places of the same peculiar nature.... it seems to be certain that moisture has been extracted from the tufa and earth, by the force of fire, just as it is from limestone in kilns.
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While all bodies are composed of the four elements, that is, of heat, moisture, the earthy, and air, yet there are mixtures according to natural temperament which make up the natures of all the different animals of the world, each after its kind.
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The gravity of a substance depends not on the amount of its weight, but on its nature.
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Taking courage and looking forward from the standpoint of higher ideas born of the multiplication of the arts, they gave up huts and began to build houses with foundations, having brick or stone walls, and roofs of timber and tiles; next, observation and application led them from fluctuating and indefinite conceptions to definite rules of symmetry. Perceiving that nature had been lavish in the bestowal of timber and bountiful in stores of building material, they... embellished them with luxuries.
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All things... appear to be made up and produced by the coming together of these elements, so that they have been distributed by nature among an infinite number of kinds of things. Hence I believed it right to treat of the diversity and practical peculiarities of these things as well as of the qualities which they exhibit in buildings, so that persons who are intending to build may understand them and so make no mistake, but may gather materials which are suitable to use in their buildings.
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There will still be the question why Tuscany, although it abounds in hot springs, does not furnish a powder out of which, on the same principle, a wall can be made which will set fast under water.... The properties of the soil are as different and unlike as are the various countries.... Hence it is not in all the places where boiling springs of hot water abound that there is the same combination of favourable circumstances... For things are produced in accordance with the will of nature; not to suit man's pleasure, but as it were by a chance distribution.
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It was left by Aristoxenus, who with great ability and labour classified and arranged in it the different modes. In accordance with it, and by giving heed to these theories, one can easily bring a theatre to perfection, from the point of view of the nature of the voice, so as to give pleasure to the audience.
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From these early beginnings, and from the fact that nature had... equipped their minds with the powers of thought and understanding, thus putting all other animals under their sway, they next gradually advanced from the construction of buildings to the other arts and sciences, and so passed from a rude and barbarous mode of life to civilization and refinement.
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Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.
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All machinery is derived from nature, and is founded on the teaching and instruction of the revolution of the firmament.
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I will prefix the motives which originally gave rise to buildings and the development of inventions in this field, following in the steps of early nature and of those writers who have devoted treatises to the origins of civilization and the investigation of inventions. My exposition will, therefore, follow the instruction which I have received from them.
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Wind is a flowing wave of air, moving hither and thither indefinitely. It is produced when heat meets moisture, the rush of heat generating a mighty current of air. That this is the fact we may learn from bronze eolipiles, and thus by means of a scientific invention discover a divine truth lurking in the laws of the heavens. Eolipiles are hollow bronze balls, with a very small opening through which water is poured into them. Set before a fire, not a breath issues from them before they get warm; but as soon as they begin to boil, out comes a strong blast due to the fire. Thus from this slight and very short experiment we may understand and judge of the mighty and wonderful laws of the heavens and the nature of winds.
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The word "universe" means the general assemblage of all nature, and it also means the heaven that is made up of the constellations and the courses of the stars.
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Since, on account of the proximity of the stone-quarries... nearest to the city, necessity drives us to make use of their products, we must proceed as follows if we wish our work to be finished without flaws. Let the stone be taken from the quarry two years before building is to begin, and not in winter, but in summer. Then let it lie exposed in an open place. Such stone as been damaged by the two years of exposure should be used in the foundations. The rest, which remains unhurt, has passed the test of nature and will endure in those parts of the building which are above ground. This precaution should be observed, not only with dimension stone, but also with the rubble which is to be used in walls.
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But as for me, Emperor, nature has not given me stature, age has marred my face, and my strength is impaired by ill health. Therefore, since these advantages fail me, I shall win your approval, as I hope, by the help of my knowledge and my writings.
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Propriety is that perfection of style which comes when a work is authoritatively constructed on approved principles. It arises from prescription, from usage, or from nature.
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There is no kind of material, no body, and no thing that can be produced or conceived of, which is not made up of elementary particles; and nature does not admit of a truthful exploration in accordance with the doctrines of the physicists without an accurate demonstration of the primary causes of things, showing how and why they are as they are.
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Dinocrates did not leave the king, but followed him into Egypt. There Alexander, observing a harbor rendered safe by nature, an excellent center for trade, cornfields throughout all Egypt, and the great usefulness of the mighty river Nile, ordered him to build the city of Alexandria, named after the king. This was how Dinocrates, recommended only by his good looks and dignified carriage, came to be so famous.
Vitruvius
Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Vitruvius
Born:
80 BC
Died:
15 BC
(aged 65)
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