Pauline Kael Quotes

118 Sourced Quotes

The first prerogative of an artist in any medium is to make a fool of himself.

Pauline Kael
In the arts, the critic is the only independent source of information. The rest is advertising.

Pauline Kael
Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.

Pauline Kael
Movies are so rarely great art, that if we cannot appreciate great trash, we have very little reason to be interested in them.

Pauline Kael
A mistake in judgment isn't fatal, but too much anxiety about judgment is.

Pauline Kael
It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.

Pauline Kael
I loved writing about things when I was excited about them. It's not fun writing about bad movies. I used to think it was bad for my skin. It's painful writing about the bad things in an art form, particularly when young kids are going to be enthusiastic about those things, because they haven't seen anything better, or anything different.

Pauline Kael
Audiences who have been forced to wade through the thick middle-class padding of more expensively made movies to get to the action enjoy the nose-thumbing at "good taste" of cheap movies that stick to the raw materials. At some basic level they like the pictures to be cheaply done, they enjoy the crudeness; it's a breather, a vacation from proper behavior and good taste and required responses. Patrons of burlesque applaud politely for the graceful erotic dancer but go wild for the lewd lummox who bangs her big hips around. That's what they go to burlesque for.

Pauline Kael
De Niro's inflamed, brimming eyes are the focal point of the compositions. He's Travis Bickle, an outsider who can't find any point of entry into human society. He drives nights because he can't sleep anyway; surrounded by the night world of the uprooted — whores, pimps, transients — he hates New York with a Biblical fury, and its filth and smut obsess him. This ferociously powerful film is like a raw, tabloid version of Notes from the Underground. Martin Scorsese achieves the quality of trance in some scenes, and the whole movie has a sense of vertigo. The cinematographer, Michael Chapman, gives the street life a seamy, rich pulpiness.

Pauline Kael
When you clean them up, when you make movies respectable, you kill them. The wellspring of their art, their greatness, is in not being respectable.

Pauline Kael
Reality, like God and History, tends to direct people to wherever they want to go.

Pauline Kael
Men are now beginning their careers as directors by working on commercials — which, if one cares to speculate on it, may be almost a one-sentence résumé of the future of American motion pictures.

Pauline Kael
Apparently, Lillian Hellman couldn't shake off the predatory Hubbards after "The Little Foxes"; she wrote this play about the same family, setting it back 30 years earlier in their dark history. The Hubbards, who are supposed to be rising Southern capitalists, are the greatest collection of ghouls since "The Old Dark House" of 1932. Hellman must combine witchcraft with stagecraft — who else could keep a plot in motion with lost documents, wills, poisonings, and pistols, and still be considered a social thinker?

Pauline Kael
People who are just getting "seriously interested" in film always ask a critic, "Why don't you talk about technique and 'the visuals' more?" The answer is that American movie technique is generally more like technology and it usually isn't very interesting.

Pauline Kael
Tasteful and colossal are — in movies, at least — basically antipathetic.

Pauline Kael
The conglomerate heads may be business geniuses, but as far as movies are concerned they have virgin instincts; ideas that are new to them and take them by storm may have failed grotesquely dozens of times. But they feel that they are creative people — how else could they have made so much money and be in a position to advise artists what to do? Who is to tell them no?

Pauline Kael
If I never saw another fistfight or car chase or Doberman attack, I wouldn't have any feeling of loss. And that goes for Rottweilers, too.

Pauline Kael
Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, do.

Pauline Kael
Charles Laughton is superbly vulgar in this whack at the backside of Victorianism. He makes a great vaudeville turn out of the role of an egocentric scoundrel, the prosperous bootmaker who doesn't want to part with his three marriageable daughters because they are too useful as unpaid labor. As the oldest daughter, the spinster in spite of herself, Brenda de Banzie is so "right" that when she marries her father's best workman and puts belching, drunken old Dad out of business, one feels the good old-fashioned impulse to applaud.

Pauline Kael
There is a dreadful discrepancy between Michelangelo's works and the words put into the mouth of Charlton Heston, who represents him here, and this picture — which is mostly about a prolonged wrangle between the sculptor and Pope Julius II (Rex Harrison), who keeps sweeping into the Sistine Chapel and barking, "When will you make an end of it?" — isn't believable for an instant.

Pauline Kael