Quotes about Virgil

28 Sourced Quotes

There is not less wit nor invention in applying rightly a thought one finds in a book, than in being the first author of that thought. Cardinal du Perron has been heard to say that the happy application of a verse of Virgil has deserved a talent.

Nay, number (itself) in armies, importeth not much, where the people is of weak courage; for (as Virgil saith) it never troubles the wolf how many the sheep be.

There is an inimitable grace in Virgil's words, and in them principally consists that beauty which gives so inexpressible a pleasure to him who best understands their force. This diction of his, I must once again say, is never to be copied; and since it cannot, he will appear but lame in the best translation.

In Virgil's account of the good housewife, who rises early in order to measure out the work of the household, and in Solomon's description of the thrifty woman of his time, one sees the value set upon feminine industry and economy in times far removed from our own.

Julia Ward Howe

Poetry reproduces an indefinable mood that is more amorous than love itself. Venus is not so beautiful all naked, alive, and panting, as she is here in Virgil.

Michel de Montaigne

Why cannot we be delighted with an author, and even feel a predilection for him, without a dislike of others? An admiration of Catullus or Virgil, of Tibullus or Ovid, is never to be heightened by a discharge of bile on Horace.

Walter Savage Landor

Virgil, above all poets, had a stock which I may call almost inexhaustible, of figurative, elegant, and sounding words.

To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?

Greece, sound, thy Homer's, Rome thy Virgil's name, But England's Milton equals both in fame.

Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface,not concluded in the appendix. Even Virgil's poetry serves a very different use to me today from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world.

Henry David Thoreau

Virgil is so exact in every word, that none can be changed but for a worse; nor any one removed from its place, but the harmony will be altered. He pretends sometimes to trip; but it is only to make you think him in danger of a fall, when he is most secure.

All the poets are indebted more or less to those who have gone before them; even Homer's originality has been questioned, and Virgil owes almost as much to Theocritus, in his Pastorals, as to Homer, in his Heroics; and if our own countryman, Milton, has soared above both Homer and Virgil, it is because he has stolen some feathers from their wings.

Charles Caleb Colton

The shepherd in Virgil grew at last acquainted with Love, and found him a native of the rocks.

"Why is thy mind so entangled," said the Master [Virgil], "that thou slackenest thy pace? What is it to thee what they whisper there? Come after me and let the people talk. Stand like a firm tower that never shakes its top for blast of wind."

Dante Alighieri

Thou [Virgil] art my master and my author, thou art he from whom alone I took the style whose beauty has done me honor.

Dante Alighieri

Homer's writings are Homer's Essays Virgil the Aeneid and Paradise Lost some people say that these poems were not written by Homer but by another man of the same name.

Verse no longer stands at the centre of communicative discourse. It is no longer, as it was from Homer to Milton, the natural repository of knowledge and traditional sentiment. It no longer gives to society its main record of past grandeur or its natural setting for prophecy, as it did in Virgil and Dante. Verse has grown private. It is a special language which the individual poet insinuates, by force of personal genius, into the awareness of his contemporaries, persuading to learn and perhaps hand on his own uses of words. Poetry has become essentially lyric — that is to say, it is the poetry of private vision rather than of public or of national occasion.

My lord, you know what Virgil sings—
Woman is various and most mutable.

Alfred, Lord Tennyson

Cleric said he thought Virgil, when he was dying at Brindisi, must have remembered that passage. After he had faced the bitter fact that he was to leave the 'Aeneid' unfinished, and had decreed that the great canvas, crowded with figures of gods and men, should be burned rather than survive him unperfected, then his mind must have gone back to the perfect utterance of the 'Georgics,' where the pen was fitted to the matter as the plough is to the furrow; and he must have said to himself, with the thankfulness of a good man, 'I was the first to bring the Muse into my country.'

Thirty centuries of history allow us to look with supreme pity on certain doctrines which are preached beyond the Alps by the descendants of those who were illiterate when Rome had Caesar, Virgil and Augustus.

Benito Mussolini

Truth can never suffer from argument and inquiry; but may be essentally injured by the tyrannous interference of her pretended advocates. Impede her energies by the pains and penalties of law, and, like the Fame of Virgil, she will creep along the ground, diminutive in stature, and shrunk with apprehension: give free scope to all her tendencies, and she will soon collect her might, dilate herself to the fullness of her dimensions, and reach the stars.

Gilbert Wakefield

It is not a new opinion that the Golden Bough was the mistletoe. True, Virgil does not identify but only compares it with the mistletoe. But this may be only a poetical device to cast a mystic glamour over the humble plant.

The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveler from Lima will visit England and give a description of the ruins of St. Paul's, like the editions of Balbec and Palmyra.

Virgil has very finely touched the female passion for dress and shows, in the character of Camilla; who, though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.

It obliges one to think with a particular kind of logic and severity. If it is nonsense, it will not go into Latin... I regard it as cruelty to the young to deprive them of that insight into language... Who would have thought Thatcher would be responsible for introducing the Prussian system, of dictating from central government the content of education in the supposed interest of the state? Translation into Latin was the great stamp and mark of English classical scholarship... My fatal decision was not to be pedantic and leave it in Latin. I had written Et Tiberim multo spumantem sanguine cerno: from Virgil in the Aeneid. And at the last minute I said, 'I can't put that out in Latin, that's pedantic'... In Latin, it would have been lost.

Wordsworth says somewhere that wherever Virgil seems to have composed 'with his eye on the object', Dryden fails to render him. Homer invariably composes 'with his eye on the object', whether the object be a moral or a material one: Pope composes with his eye on his style, into which he translates his object, whatever it is.

Whatever the poets pretend, it is plain they give immortality to none but themselves; it is Homer and Virgil we reverence and admire, not Achilles or Aeneas. With historians it is quite the contrary; our thoughts are taken up with the actions, persons, and events we read, and we little regard the authors.

I conceive it is a vulgar error in translating poets, to affect being fidus interpres... [for] poetry is of so subtile a spirit, that in the pouring out of one language into another, it will all evaporate; and if a new spirit be not added in the transfusion, there will remain nothing but a caput mortuum, there being certain graces and happinesses peculiar to every language, which give life and energy to the words... therefore if Virgil must needs speak English, it were fit he should speak not only as a man of this nation, but as [a] man of this age.