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Paula Modersohn-Becker Quotes
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I must learn how to express the gentle vibration of things, their roughened textures, their intricacies. I have to find an expression for that in my drawing, too, in the way I sketched my nudes here in Paris, only more original, more subtly observed. The strange quality of expectation that hovers over muted things [skin, Otto's Otto Modersohn forehead, fabrics, flowers]; I must try to get hold of the great and simple beauty of all that. In general, I must strive for the utmost simplicity united with the most intimate power of observation. That's where greatness lies.
Paula Modersohn-Becker
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.. Mother, the dawn has broken in me and I can feel the day approaching. I'm going to become somebody. If only I had been able to show Father that my life has not been fishing in troubled waters, pointless; if only I had been able to repay him for the part of himself that he planted in me! I feel that the time is soon coming when I no longer have to be ashamed and remain silent, but when I feel with pride that I am a painter..
Paula Modersohn-Becker
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I believe that one should not think about nature in painting pictures. At least not during the process of conceiving the image. An oil sketch should be made just according to the way one once felt something in nature. But my own personal feeling, that is the main thing. Once I have got that pinned down, clear in its form and color, only then do I introduce things from nature which will make my picture have a natural; effect, so that a layman will be totally convinced that I painted my picture from nature.
Paula Modersohn-Becker
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How happy I would be if I could give figurative expression to the unconscious feeling that often murmurs so softly and sweetly within me.
Paula Modersohn-Becker
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Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.
Paula Modersohn-Becker
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Last year I wrote: the intensity with which a subject is grasped, that is what makes for beauty in art. Isn't it also true for love?
Paula Modersohn-Becker
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My art is going well. I have a feeling of satisfaction about it. Afternoons I stroll around the city [Paris] taking a good look at everything and trying to absorb it all... I went back to the Notre Dame again. Such wonderful Gothic detailing, those monstrous gargoyles, each one with its own character and face... Directly behind Notre Dame, almost encircled by the Seine, lies the morgue. Day after day they fish corpses from the river here, people who don't want to get on living.
Paula Modersohn-Becker
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I am constantly observing things and believe that I am coming closer to beauty. In the last few days I have discovered form and have been thinking much about it. Until now I've had no real feeling for the antique. I could find it very beautiful by itself. But I could never find any thread leading from it to modern art. Now I've found it, and that's what I believe is called progress.
Paula Modersohn-Becker
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Paula Modersohn-Becker
Creative Commons
Born:
February 8, 1876
Died:
November 21, 1907
(aged 31)
Bio:
Paula Modersohn-Becker was a German painter and one of the most important representatives of early expressionism. In a brief career, cut short by an embolism at the age of 31, she created a number of groundbreaking images of great intensity.
Known for:
Landscape with Birch trunks (1901)
Marsh channel with peat barges (1900)
Portrait of a young woman with red hat (1900)
Die Malerin mit Kamelienzweig (Selbstporträt)
Most used words:
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life
nature
beautiful
paint
people
work
serious
color
day
beauty
form
woman
feel
Paula Modersohn-Becker on Wikipedia
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