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Paula Modersohn-Becker -
Color
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Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon, which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. I'd like to be able to paint something one day in those colors...
Paula Modersohn-Becker
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I believe that one should not think about nature in painting pictures. At least not during the process of conceiving the image. An oil sketch should be made just according to the way one once felt something in nature. But my own personal feeling, that is the main thing. Once I have got that pinned down, clear in its form and color, only then do I introduce things from nature which will make my picture have a natural; effect, so that a layman will be totally convinced that I painted my picture from nature.
Paula Modersohn-Becker
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Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.
Paula Modersohn-Becker
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I've made use of the beautiful weather to sketch and paint outside. I had been staying away from color for such a long time that it had become something quite foreign to me. Working in color was always a great joy to me. And now it is a great joy again. Still, I have to battle with it, wrestle with it, with all my strength. And one must be victorious. But if it weren't for the fight, all the beauty of it wouldn't exist at all, would it? I'm writing this mostly for Mother who, I believe, thinks my whole life is one constant act of egoistic ecstasy. But devotion to art also involves something unselfish.
Paula Modersohn-Becker
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What I want to produce is something compelling, something full, an excitement and intoxication of color – something powerful. The paintings I did in Paris are too cool, too solitary and empty. They are the reaction to a restless and superficial period in my life and seem to strain for a simple, grand effect. I wanted to conquer Impressionism by trying to forget it. What happened was that it conquered me. We must work with digested and assimilated Impressionism..
Paula Modersohn-Becker
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I want to give colors intoxication, fullness, excitement, power. By trying to forget Impressionism, I wanted to conquer it. In the process I was conquered. We must work with assimilated, digested Impressionism.
Paula Modersohn-Becker
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My blonde was here again today. This time with her little boy at her breast. I had to draw her as a mother, had to. That is her single true purpose. Marvelous, these gleaming white breasts in her fiery red blouse. The whole thing is so grand in its shape and color…
Paula Modersohn-Becker
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The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.
Paula Modersohn-Becker
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I love color. It must submit to me. And I love art. I kneel before it, and it must become mine. Everything around me glows with passion. Every day reveals a new red flower, glowing, scarlet red. Everyone around me carries them. Some wear them quietly hidden in their hearts. And they are like poppies just opening, of which one can see only here and there a hint of red petal peeking out from the green bud.
Paula Modersohn-Becker
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Paula Modersohn-Becker
Creative Commons
Born:
February 8, 1876
Died:
November 21, 1907
(aged 31)
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