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I believe that one should not think about nature in painting pictures. At least not during the process of conceiving the image. An oil sketch should be made just according to the way one once felt something in nature. But my own personal feeling, that is the main thing. Once I have got that pinned down, clear in its form and color, only then do I introduce things from nature which will make my picture have a natural; effect, so that a layman will be totally convinced that I painted my picture from nature.
Paula Modersohn-Becker
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I am constantly observing things and believe that I am coming closer to beauty. In the last few days I have discovered form and have been thinking much about it. Until now I've had no real feeling for the antique. I could find it very beautiful by itself. But I could never find any thread leading from it to modern art. Now I've found it, and that's what I believe is called progress.
Paula Modersohn-Becker
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I feel an inner relationship which leads from the antique tot the Gothic, especially from the early ancient art, and from the Gothic to my own feeling for form. A great simplicity of form is something marvelous. As far back as I can remember, I have tried to put the simplicity of nature into the heads that I was painting or drawing. Now I have a real sense of being able to learn from the heads of ancient sculpture..
Paula Modersohn-Becker
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I was reading about and looking at Mantegna [Italian early-Renaissance painter]. I can sense how good he is for me. His enormous plasticity – it has such powerful substance. That is just what is lacking in my things. I could do something about that if I could add his substantiality to the greatness of form I'm struggling for. At present I see before my eyes very simple and barely articulated things. My second major stumbling is my lack of intimacy. Mackensen's [her former teacher] way of portraying the people here is not great enough for me, too genre like. Whoever could, ought to capture them in runic script..
Paula Modersohn-Becker
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Paula Modersohn-Becker
Creative Commons
Born:
February 8, 1876
Died:
November 21, 1907
(aged 31)
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