400+ Sourced quotes
There's a reason why so many who marched that day, and in the days to come, were young — for the young are unconstrained by habits of fear, unconstrained by the conventions of what is. They dared to dream differently, to imagine something better. And I am convinced that same imagination, the same hunger of purpose stirs in this generation. We might not face the same dangers of 1963, but the fierce urgency of now remains. We may never duplicate the swelling crowds and dazzling procession of that day so long ago — no one can match King's brilliance — but the same flame that lit the heart of all who are willing to take a first step for justice, I know that flame remains.
The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.
There is no spiritual sustenance in flat equality. It is a dim recognition of this fact which makes much of our political propaganda sound so thin. We are trying to be enraptured by something which is merely the negative condition of the good life. That is why the imagination of people is so easily captured by appeals to the craving for inequality, whether in a romantic form of films about loyal courtiers or in the brutal form of Nazi ideology. The tempter always works on some real weakness in our own system of values — offers food to some need which we have starved.
O! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast? Or wallow naked in December snow By thinking on fantastic summer's heat? O, no! the apprehension of the good Gives but the greater feeling to the worse.
A man estimable for his learning, amiable for his life, and venerable for his piety. Arbuthnot was a man of great comprehension, skilful in his profession, versed in the sciences, acquainted with ancient literature, and able to animate his mass of knowledge by a bright and active imagination; a scholar with great brilliance of wit; a wit who, in the crowd of life, retained and discovered a noble ardour of religious zeal.
How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
Romance is the truth of imagination and boyhood. Homer's horses clear the world at a bound. The child's eye needs no horizon to its prospect. The oriental tale is not too vast. Pearls dropping from trees are only falling leaves in autumn. The palace that grew up in a night merely awakens a wish to live in it. The impossibilities of fifty years are the commonplaces of five.
There's a kind of silliness in the theater about what one contributes to a show. The producer obviously contributes the money... but must the actor contribute nothing at all? I'm not a modest fellow about those things. I contribute a great deal. And they always manage to hang you for having an interpretation. Isn't [the theater] where your imagination should flower? Why must it always be dull as shit?
When I think back on Kong, that was like difficult too, because there was no reality in making that movie. There was so much that was left to my own devices and imagination. And when I had to play a scene opposite a 45-foot ape, that was bit taxing on your imagination because obviously there was nothing there, you know.