Quotes about Johann Wolfgang von Goethe

82 Sourced Quotes

During the renaissances in thinking led by Shakespeare and Goethe, the first new development in memory techniques for 1,700 years appeared: the Major System. This was the first system that enabled the user to transfer easily and instantaneously from numbers to letters, thus creating the opportunity for a system that could stretch from zero to an infinite number, and which allowed the user to translate any word into its own special number, and any number into its own special letter. This multiplied the opportunity for developing memory techniques 100-fold.

Goethe's thinking was mobile. It followed the whole growth process of the plant and followed how one plant form is a modification of the other. Goethe's thinking was not rigid with inflexible contours; it was a thinking in which the concepts continually metamorphose. Thereby his concepts became, if I may put it this way, intimately adapted to the process that plant nature itself goes through.

When we read what Goethe says about men we are ashamed of what we have said; when we read what he says about painting and statues we are ashamed of what Goethe has said.

Randall Jarrell

An example of this way of thinking is an exchange that took place when someone told Goethe that he admired him for his genius, towering over German intellectual life like a gigantic mountain, to which Goethe replied that "great mountains are found only in mountainous landscapes." The traditional history of art is concerned exclusively which such mountain peaks, and often, as Goethe critically pointed out, they are not even seen in relation to each other.

All is fish that comes to the literary net. Goethe put his joys and sorrows into poems. I turn my adventures into bread and butter.

Louisa May Alcott

Must an artist live in the world or out of it? I believe this to be an unanswerable question. Total retirement, natural to the Saint, is injurious to most artists. They work marvelously so long as there are materials at hand. Goethe has further advice: "Solitude is a wonderful thing when one is at peace with oneself and when there is a definite task to be accomplished."

The inversion theory has a long and fascinating history in the discussion of vertebrate origins. The founding version dates to the early nineteenth century and became the centerpiece of a movement often called "transcendental biology," and centered on the attempt to reduce organic diversity to one or a very few archetypal building blocks that could generate all actual anatomies as products of rational laws of transformation. Some of Europe's greatest thinkers participated in this grand, if flawed enterprise. Goethe, Germany's preeminent poet-scientist, tried to explain the varied parts of plants as different manifestations of an archetypal leaf.

Stephen Jay Gould

Only too soon it became clear to me that in this world of ours every Rasputin has his Goethe, that every Rasputin draws a Goethe or if you prefer every Goethe a Rasputin in his wake, or even makes one if need be, in order to be able to condemn him later on.

Charles Dodgson, born a romantic and a rationalist, would have fitted more easily into the world of Voltaire and Goethe than into the one that received him.

Florence Becker Lennon

Nietzsche … argues that all that passes in the life of a society is ephemeral and banausic except for the presence of great personalities, of men like Goethe … who seem to forge their own destinies, who seem to move unhampered by those burdens of existence which keep most men from rising above the vicissitudes of their daily toil.

Goethe wondered at what point our instruments might be creating what we think we see out there in the world.... his question is still a good one. Every science of observation must take care not to get lost among its own artifacts.

Theodore Roszak

The practical revolutionary will understand Goethe's 'conscience is the virtue of observers and not of agents of action'; in action, one does not always enjoy the luxury of a decision that is consistent both with one's individual conscience and the good of mankind.

German Nazism could not have succeeded in establishing itself except as a result of the theoretical contributions of Fichte, Goethe and Nietzsche, coupled with the ingenious and mighty leadership of Hitler and his comrades.

Abul A'la Maududi

The writing of histories - as Goethe once noted - is one way of getting rid of the weight of the past.... The writing of history liberates us from history.

Benedetto Croce

Throughout my advocacy of the University's cause I had experienced the truth of Goethe's maxim that it is best, if you wish to influence people, to begin by assuming that they are already what you would have them to be.

Hugh Macmillan, Baron Macmillan

On September 20, 1792, Johann Wolfgang von Goethe (who had accompanied the Duke of Weimar on a military expedition to Paris) saw the finest army of Europe inexplicably repulsed at Valmy by some French militiamen, and said to his disconcerted friends: "In this place and on this day, a new epoch in the history of the world is beginning, and we shall be able to say that we have been present at its origin." Since that time historic days have been numerous, and one of the tasks of governments (especially in Italy, Germany, and Russia) has been to fabricate them or to simulate them with an abundance of preconditioning propaganda followed by relentless publicity.

Jorge Luis Borges

Goethe said that the worst thing in art is technical facility accompanied by triteness. Many an artist, like God, has never needed to think twice about anything. His works are the mad scene from Giselle, on ice skates: he weeps, pulls out his hair—holding his wrists like Lifar—and tells you what Life is, all at a gliding forty miles an hour.

Randall Jarrell

Life is more than thought: what a man feels, and what his senses awaken in him, are more indispensable to his life's fullness than subsequent reflection on their significance. Both Stirner and Nietzsche have elaborated Faust's opening speech in which he bemoans his wasted years in academia: this speech is Goethe's own impeachment of Kant and Hegel. Philosophy proceeds always under the risk of making a fetish of thinking.

Look at Goethe, at Lamartine and at many others! To depict feelings on this high plane, you must give up the process of minute and insignificant observation which is the bane of the artists of today.

It appears to [Nietzsche] that the modern age has produced for imitation three types of man … First, Rousseau's man, the Titan who raises himself … and in his need calls upon holy nature. Then Goethe's man … a spectator of the world … [Third] Schopenhauer's man … voluntarily takes upon himself the pain of telling the truth.

Early artists considered the human body, that forked radish, that defenseless starfish, a poor vehicle for the expression of energy, compared to the muscle-rippling bull and the streamlined antelope. Once more it was the Greeks, by their idealization of man, who turned the human body into an incarnation of energy, to us the most satisfying of all, for although it can never attain the uninhibited physical flow of the animal, its movements concern us more closely. Through art we can relive them in our own bodies, and achieve thereby that enhanced vitality which all thinkers on art, from Goethe to Berenson, have recognized as one of the chief sources of aesthetic pleasure.

Tragedy springs from outrage; it protests at the conditions of life. It carries in it the possibilities of disorder, for all tragic poets have something of the rebelliousness of Antigone. Goethe, on the contrary, loathed disorder. He once said that he preferred injustice, signifying by that cruel assertion not his support for reactionary political ideals, but his conviction that injustice is temporary and reparable whereas disorder destroys the very possibilities of human progress. Again, this is an anti-tragic view; in tragedy it is the individual instance of injustice that infirms the general pretence of order. One Hamlet is enough to convict a state of rottenness.