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Edward Albee Quotes
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I was twenty-nine years old and I wasn't a very good poet and I wasn't a very good novelist, [so] I thought I would try writing a play, which seems to have worked out a little better.
Edward Albee
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I think you remember everything... you just can't bring it to mind all the time.
Edward Albee
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One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
Edward Albee
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Dashed hopes and good intentions. Good, better, best, bested.
Edward Albee
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Sincerity doesn't mean anything. A person can be sincere and be more destructive than a person who is insincere.
Edward Albee
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First, I'll kill the dog with kindness, and if that doesn't work, I'll just kill him.
Edward Albee
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A rather ugly thing starts happening: the playwright finds himself knocked down for works that quite often are just as good or better than the works he's been praised for previously. And a lot of playwrights become confused by this and they start doing imitations of what they've done before, or they try to do something entirely different, in which case they get accused by the same critics of not doing what they used to do so well.
Edward Albee
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To a certain extent I imagine a play is completely finished in my mind - in my case, at any rate - without my knowing it, before I sit down to write.
Edward Albee
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When people don't like the way a play ends, they're likely to blame the play.
Edward Albee
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The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
Edward Albee
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In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.
Edward Albee
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There are two things that a playwright can have. Success or failure. I imagine there are dangers in both. Certainly the danger of being faced with indifference or hostility is discouraging, and it may be that success - acceptance if it's too quick, too lightning-quick - can turn the heads of some people.
Edward Albee
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Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
Edward Albee
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There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.
Edward Albee
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As a playwright, I imagine that in one fashion or another I've been influenced by every single play I've ever experienced.
Edward Albee
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I think it's for the critics to decide whether or not their loathing of the play is based on something other than the play's merits or demerits. They must search their own souls, or whatever.
Edward Albee
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Who's afraid of Virginia Woolf means who's afraid of the big bad wolf... who's afraid of living life without false illusions.
Edward Albee
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I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life.
Edward Albee
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I find that when my plays are going well, they seem to resemble pieces of music. But if I had to go into specifics about it, I wouldn't be able to. It's merely something that I feel.
Edward Albee
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In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
Edward Albee
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I've seen an awful lot of plays that I'd read before they were put into production and been shocked by what's happened to them. In the attempt to make them straightforward and commercially successful, a lot of things go out the window.
Edward Albee
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The health of a nation, a society, can be determined by the art it demands. We have insisted of television and our movies that they not have anything to do with anything, that they be our never-never land; and if we demand this same function of our live theatre, what will be left of the visual-auditory arts - save the dance (in which nobody talks) and music (to which nobody listens)?
Edward Albee
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I suppose if you simplify things, it's going to make it easier to understand.
Edward Albee
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By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing -- which is not a commercial playwright. I'm not after the brass ring.
Edward Albee
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It always seems to me better to slough off the answer to a question that I consider to be a terrible invasion of privacy - the kind of privacy that a writer must keep for himself.
Edward Albee
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In the theater, which is a sort of jungle, one does have to be a little bit careful. One mustn't be so rigid or egotistical to think that every comma is sacrosanct. But at the same time there is the danger of losing control and finding that somebody else has opened a play and not you.
Edward Albee
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The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
Edward Albee
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Some writers' view of things depends upon the success of the final result. I'd rather stand or fall on my own concepts. But there is a fine line to be drawn between pointing up something or distorting it.
Edward Albee
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In rehearsals I get so completely wrapped up with the reality that's occurring on stage that by the time the play has opened I'm not usually quite as aware of the distinctions between what I'd intended and the result. There are many ways of getting the same result.
Edward Albee
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The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it.
Edward Albee
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Quote of the day
A child educated only at school is an uneducated child.
George Santayana
Edward Albee
Creative Commons
Born:
March 12, 1928
Died:
September 16, 2016
(aged 88)
Bio:
Edward Franklin Albee III is an American playwright known for works such as The Zoo Story, The Sandbox, and Who's Afraid of Virginia Woolf?. His works are often considered as well-crafted, realistic examinations of the modern condition.
Known for:
Who's Afraid of Virginia Woolf? (1962)
The Zoo Story (1960)
A Delicate Balance (1966)
Three Tall Women (1994)
The Goat, or Who Is Sylvia? (2000)
Most used words:
people
play
bang
time
work
sense
person
reality
fact
cards
critic
writing
kill
abide
Edward Albee on Wikipedia
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