Edward Albee - Play Quotes

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When you write a play, you make a set of assumptions -- that you have something to say, that you know how to say it, that its worth saying, and that maybe someone will come along for the ride.

Edward Albee
I don't set out to write a play a year. Sometimes I've written two plays a year. There was a period of a year and half when I only wrote half a play. If it depresses some critics that I seem prolific, well, that's their problem as much as mine.

Edward Albee
As a fairly objective judgment, I do think that my plays as they come out are better than most other things that are put on the same year. But that doesn't make them very good necessarily.

Edward Albee
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.

Edward Albee
When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.

Edward Albee
I suspect that the theme, the nature of the characters, and the method of getting from the beginning of the play to the end is already established in the unconscious.

Edward Albee
Sometimes I think the experience of a play is finished for me when I finish writing it. If it weren't for the need to make a living, I don't know whether I'd have the plays produced.

Edward Albee
Within a year after I write a play I forget the experience of having written it. And I couldn't revise or rewrite it if I wanted to. Up until that point, I'm so involved with the experience of having written the play, and the nature of it, that I can't see what faults it might have. The only moment of clear objectivity that I can find is at the moment of critical heat - of self-critical heat when I'm actually writing.

Edward Albee
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made.

Edward Albee
I don't feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.

Edward Albee
If I've been accused a number of times of writing plays where the endings are ambivalent, indeed, that's the way I find life.

Edward Albee
Naturally, no writer who's any good at all would sit down and put a sheet of paper in a typewriter and start typing a play unless he knew what he was writing about.

Edward Albee
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.

Edward Albee
People often ask me how long it takes me to write a play, and I tell them 'all of my life.'

Edward Albee
I find that when my plays are going well, they seem to resemble pieces of music. But if I had to go into specifics about it, I wouldn't be able to. It's merely something that I feel.

Edward Albee
I think it's for the critics to decide whether or not their loathing of the play is based on something other than the play's merits or demerits. They must search their own souls, or whatever.

Edward Albee
As a playwright, I imagine that in one fashion or another I've been influenced by every single play I've ever experienced.

Edward Albee
There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.

Edward Albee
In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.

Edward Albee
When people don't like the way a play ends, they're likely to blame the play.

Edward Albee
It's the function of a playwright to write. Some playwrights write a large number of plays, some write a small number.

Edward Albee
I don't pay much attention to how the plays relate thematically to each other. I think that's very dangerous to do, because in the theater one is self-conscious enough without planning ahead or wondering about the thematic relation from one play to the next. One hopes that one is developing, and writing interestingly, and that's where it should end, I think.

Edward Albee
I discover that I am thinking about a play, which is the first awareness I have that a new play is forming. When I'm aware of the play forming in my head, it's already at a certain degree in development.

Edward Albee
Very few people who met my adoptive mother in the last 20 years of her life could abide her, while many people who have seen my play find her fascinating. Heavens, what have I done?!

Edward Albee
I'm not suggesting that the play is without fault; all of my plays are imperfect, I'm rather happy to say — it leaves me something to do.

Edward Albee