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In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.
Edward Albee
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There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.
Edward Albee
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As a playwright, I imagine that in one fashion or another I've been influenced by every single play I've ever experienced.
Edward Albee
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People often ask me how long it takes me to write a play, and I tell them 'all of my life.'
Edward Albee
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I find that when my plays are going well, they seem to resemble pieces of music. But if I had to go into specifics about it, I wouldn't be able to. It's merely something that I feel.
Edward Albee
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In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
Edward Albee
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I've seen an awful lot of plays that I'd read before they were put into production and been shocked by what's happened to them. In the attempt to make them straightforward and commercially successful, a lot of things go out the window.
Edward Albee
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By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing -- which is not a commercial playwright. I'm not after the brass ring.
Edward Albee
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In the theater, which is a sort of jungle, one does have to be a little bit careful. One mustn't be so rigid or egotistical to think that every comma is sacrosanct. But at the same time there is the danger of losing control and finding that somebody else has opened a play and not you.
Edward Albee
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The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
Edward Albee
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In rehearsals I get so completely wrapped up with the reality that's occurring on stage that by the time the play has opened I'm not usually quite as aware of the distinctions between what I'd intended and the result. There are many ways of getting the same result.
Edward Albee
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Within a year after I write a play I forget the experience of having written it. And I couldn't revise or rewrite it if I wanted to. Up until that point, I'm so involved with the experience of having written the play, and the nature of it, that I can't see what faults it might have. The only moment of clear objectivity that I can find is at the moment of critical heat - of self-critical heat when I'm actually writing.
Edward Albee
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Sometimes I think the experience of a play is finished for me when I finish writing it. If it weren't for the need to make a living, I don't know whether I'd have the plays produced.
Edward Albee
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Edward Albee
Creative Commons
Born:
March 12, 1928
Died:
September 16, 2016
(aged 88)
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