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I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.
Edward Albee
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I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
Edward Albee
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I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made.
Edward Albee
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If the work of art is good enough, it must not be criticized for its theme. I don't think it can be argued.
Edward Albee
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A playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response - not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.
Edward Albee
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I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.
Edward Albee
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If the playwright is strong enough to hold on to reasonable objectivity in the face of either hostility or praise, he'll do his work the way he was going to anyway.
Edward Albee
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I find that in the course of the day when I'm writing, after three or four hours of intense work, I have a splitting headache, and I have to stop. Because the involvement, which is both creative and self-critical, is so intense that I've got to stop doing it.
Edward Albee
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Every writer's got to pay some attention, I suppose, to what his critics say because theirs is a reflection of what the audience feels about his work.
Edward Albee
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Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
Edward Albee
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When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.
Edward Albee
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I find relatively little relationship between the work of art and the immediate critical response it gets.
Edward Albee
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The ultimate judgment of a work of art, whether it be a masterpiece or a lesser event, must be solely in terms of its artistic success and not on Freudian guesswork.
Edward Albee
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The act of creation, as you very well know, is a lonely and private matter and has nothing to do with the public area... the performance of the work one creates.
Edward Albee
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You may dislike the intention enormously but your judgment of the artistic merit of the work must not be based on your view of what it's about. The work of art must be judged by how well it succeeds in its intention.
Edward Albee
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There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.
Edward Albee
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The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
Edward Albee
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A rather ugly thing starts happening: the playwright finds himself knocked down for works that quite often are just as good or better than the works he's been praised for previously. And a lot of playwrights become confused by this and they start doing imitations of what they've done before, or they try to do something entirely different, in which case they get accused by the same critics of not doing what they used to do so well.
Edward Albee
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First, I'll kill the dog with kindness, and if that doesn't work, I'll just kill him.
Edward Albee
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I have been both overpraised and underpraised. I assume by the time I finish writing — and I plan to go on writing until I'm 90 or gaga — it will all equal itself out... You can't involve yourself with the vicissitudes of fashion or critical response. I'm fairly confident that my work is going to be around for a while. I am pleased and reassured by the fact that a lot of younger playwrights seem to pay me some attention and gain some nourishment from what I do.
Edward Albee
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When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
Edward Albee
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Edward Albee
Creative Commons
Born:
March 12, 1928
Died:
September 16, 2016
(aged 88)
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