20th-century Photographer Quotes
You can go to any major history and see the effect of unregulation. The very point of developing regulation around industrial society was that they were not only exploiting the workers to death they were befouling the planet, so regulation came because of that. What the right wing wants is for the public to have this role in the societal debate over balance of these issues and no power. The public power to confront these errors of industry is government regulation.
The less [government] the better. As far as your personal goals are and what you actually want to do with your life, it should never have to do with the government. You should never depend on the government for your retirement, your financial security, for anything. If you do, you're screwed... That's all the government should be: Army, Air Force, Navy, Marines... I think a lot of people are afraid of freedom. They want their lives to be controlled, to be put into a box... Why should someone put a limit on how much fun I can have, how much I can accomplish?
There can be no doubt that Tsai's phenomena (whether they be works of art in the strict sense, or whether they be fantastic artifices) are extremely important. They show what promises and dangers may be in here in a "play," if it is proposed by a great artist. Because, even if Tsai's phenomena be considered artifices, there can be no doubt that Tsai is a great artist. Not because what he does is pleasant, or because he proposes a play, or because he represents the spirit of our times, but because he reveals to us, through artifice or works of art, the concrete experience of a future full of promise or abysmal danger.
In order to take control of our lives and accomplish something of lasting value, sooner or later we need to Believe. We don't need to shift our responsibilities onto the shoulders of some deified Spiritual Superman, or sit around and wait for Fate to come knocking at the door. We simply need to believe in the power that's within us, and use it. When we do that, and stop imitating others and competing against them, things begin to work for us.
I am an artist who makes walks. A walk defines the form of the land in space and time beyond the scale of sculpture or the fixed image. Some of my walks are formal (straight, circular, rhythmic) almost ritualised. I have climbed around mountains instead of to the top, I have made walks about slowness, walks about stones and water. I have made walks within a place as opposed to a linear journey; walking without travelling.