20th-century Artist Quotes

No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.

It takes a long time for the gleam in the eye to turn into something solid.

In order to take control of our lives and accomplish something of lasting value, sooner or later we need to Believe. We don't need to shift our responsibilities onto the shoulders of some deified Spiritual Superman, or sit around and wait for Fate to come knocking at the door. We simply need to believe in the power that's within us, and use it. When we do that, and stop imitating others and competing against them, things begin to work for us.

In this unexpected scenario, the UFO occupants — despite their obvious technological superiority — are desperate for both human genetic material and the ability to feel human emotions — particularly maternal emotions. Unlikely though it may seem, it is possible that the very survival of these extraterrestrials depends upon their success in absorbing chemical and psychological properties received from human abductees.

Drawing is giving yourself up to an exercise with no immediate application. It is a form of communion with your subject, be it in front of you or in your head. Expertise and skill go hand in hand with your desire to express feelings, to tell stories, to create and share worlds. It's personal.

John Howe (illustrator)

Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting.

Friedensreich Hundertwasser

The idea of making machines that think has an unfailing fascination, not only for science fiction readers, but for all who can see it is a possible way of gaining some understanding of the working of our own minds. Thinking, however, is not an easily defined phenomenon, although it is often considered to be the process of solving problems.

Edward Ihnatowicz

Something is beautiful if it is honest. If you do an engaged piece of work, which is sincere, the concept of beauty meets the concept of truth. So no illusive harmony. I try to reach people who strive for truth, for identity. Although these conceptions are incredibly warn out, one must try to find the way back to these simple conceptions.

Jörg Immendorff

There is no "worst" in what is new. Everything that has existed is bad, or else no one would have improved upon it by revolution and change.

Vito Acconci's extraordinary career—poetry, art, architecture: a sort of triathlon of the arts—began in the Bronx, where as an aspiring author of seven years he wrote stories about cowboys and athletes. At his Catholic college, he published sexy stuff about priests and nuns that got the school magazine banned for three issues running. He went on to write fiction in the Iowa Writers' Workshop. But when he came back to New York in the early '60s, something changed, and he began writing poems. Highly conceptual constructions, they did not tell stories, express feelings, or evoke a fictional world. They were not representational. Maybe you could call them presentational: this is a word, this is a sentence, you are reading.

Shelley Jackson

Everyone must imagine his own snakes because no one else's snakes can ever be as awful.

When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive.

We are here to stir things up. Even people that hate us have to admit that we've already succeeded in doing that. Love Frankie or hate it - that's what we want - a strong reaction.

There can be no question of selecting in any direction, but of penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life.

The attitude and capacity of the factory, the old metal table and the new ideas of the wooden furniture quickly and naturally suggested the possibility of metal furniture.

Fear is the reason for making art. It is a means to freedom.

I'll be in Detroit two more weeks. I would like to tell you every thing that happened to me since the last time we saw each other, but most of them are sad and you mustn't know sad things now. After all I shouldn't complain because I have been happy in many ways though. Diego is good to me, and you can't imagine how happy he has been working on the frescoes here. I have been painting a little too and that helped. I thought of you a lot and never forget your wonderful hands and the color of your eyes. I will see you soon. I am sure that in New York I will be much happier. If you still in the hospital when I come back I will bring you flowers.

There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman.

This everyday world affects the way art is created as much as it conditions its response.

I couldn't do them if I didn't know horses lived behind them.

Charles Keeping

The most pleasurable thing in the world, for me, is to see something and then translate how I see it.

Ellsworth Kelly

Some is more equal than others, as is well known. It ain't that your majority is outnumbered, you're just out-surrounded.

Why have our standards fallen so low? Why do we have all these ugly things which nobody needs? Industrial manufacture and new materials have led to truly unlimited possibilities of forms. There are no longer any natural constraints which depend on materials such as wood and stone. We simply manufacture everything that is technically possible and lack new structures on which to base our decisions.

Blue has no dimensions, it is beyond dimensions, whereas the other colours are not. They are pre-psychological expanses, red, for example, presupposing a site radiating heat... All colours arouse specific associative ideas, psychologically material or tangible, while blue suggests at most the sea and sky, and they, after all, are in actual, visible nature what is most abstract.

When Jackson talked about painting he didn't usurp anything that wasn't himself. He didn't want to change anything, he wasn't using any outworn attitude about it, he was always himself. He just wanted to be in it because he loved it. The response in the person's mind to that mysterious thing that has happened before has nothing to do with 'who did it first'. Tomlin however, did hear these voices and in reference to his early work and its relation to Braque, I like him for that. He was not an academician of Cubism even then; he was an extremely personal and sensitive artist.