Richard Wagner Quotes

30 Sourced Quotes

On to the stage, prepared by architect and painter, now steps Artistic Man, as Natural Man steps on the stage of Nature.

Richard Wagner
The whole duty of a conductor is comprised in his ability to indicate the right tempo.

Richard Wagner
The language of tones belongs equally to all mankind, and melody is the absolute language in which the musician speaks to every heart.

Richard Wagner
Artistic Man can only fully content himself by uniting every branch of Art into the common Artwork: in every segregation of his artistic faculties he is unfree, not fully that which he has power to be; whereas in the common Artwork he is free, and fully that which he has power to be.

Richard Wagner
Freshly blows the wind homewards: my Irish child, where are you dwelling?

Richard Wagner
To be German means to carry on a matter for its own sake.

Richard Wagner
Achievements, seldom credited to their source, are the result of unspeakable drudgery and worries.

Richard Wagner
It should not be presumed that these people (the Jews), who are so separated from us by their religion, have any right to make our laws. But why blame the Jews? It is we who lack all feeling for our own identity, all sense of honour.

Richard Wagner
A political man is disgusting, but a political wife, horrible.

Richard Wagner
From its first faint glimmerings, History shews Man's constant progress as a beast of prey. As such he conquers every land, subdues the fruit-fed races, founds mighty realms by subjugating other subjugators, forms states and sets up civilisations, to enjoy his prey at rest.

Richard Wagner
Oh, I hate the thought of all those costumes and grease paint! When I think that characters like Kundry will now have to be dressed up, those dreadful artists' balls immediately spring into my mind. Having created the invisible orchestra, I now feel like inventing the invisible theatre!

Richard Wagner
Germany appeared in my eyes a very tiny portion of the earth. I had emerged from abstract Mysticism, and I learnt a love for Matter. Beauty of material and brilliancy of wit were lordly things to me: as regards my beloved music, I found them both among the Frenchmen and Italians. I forswore my model, Beethoven; his last Symphony I deemed the keystone of a whole great epoch of art, beyond whose limits no man could hope to press, and within which no man could attain to independence.

Richard Wagner
The July Revolution took place; with one bound I became a revolutionist, and acquired the conviction that every decently active being ought to occupy himself with politics exclusively. I was only happy in the company of political writers, and I commenced an Overture upon a political theme. Thus was I minded, when I left school and went to the university: not, indeed, to devote myself to studying for any profession — for my musical career was now resolved on — but to attend lectures on philosophy and aesthetics. By this opportunity of improving my mind I profited as good as nothing, but gave myself up to all the excesses of student life; and that with such reckless levity, that they very soon revolted me.

Richard Wagner
It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews … The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.

Richard Wagner
The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.

Richard Wagner
Certain things in Mozart will and can never be excelled.

Richard Wagner
Attack and defence, want and war, victory and defeat, lordship and thraldom, all sealed with the seal of blood: this from henceforth is the History of Man.

Richard Wagner
In order to see the Performer and the Poet take natural rise, we must first imagine to ourselves the artistic Fellowship of the future; and that according to no arbitrary canon, but following the logical course which we are bound to take in drawing from the Art-work itself our conclusions as to those artistic organs which alone can call it into natural life.

Richard Wagner
The organ for all understanding of Nature, is Man: the landscape-painter had not only to impart to men this understanding, but to make it for the first time plain to them by depicting Man in the midst of Nature.

Richard Wagner
The utter childishness of our provincial public's verdict upon any art-manifestation that may chance to make its first appearance in their own theatre — for they are only accustomed to witness performances of works already judged and accredited by the greater world outside — brought me to the decision, at no price to produce for the first time a largish work at a minor theatre. When, therefore, I felt again the instinctive need of undertaking a major work, I renounced all idea of obtaining a speedy representation of it in my immediate neighbourhood: I fixed my mind upon some theatre of first rank, that would some day produce it, and troubled myself but little as to where and when that theatre would be found.

Richard Wagner
The Orchestra is, so to speak, the loam of endless, universal Feeling, from which the individual feeling of the separate actor draws power to shoot aloft to fullest height of growth: it, in a sense, dissolves the hard immobile ground of the actual scene into a fluent, elastic, impressionable ether, whose unmeasured bottom is the great sea of Feeling itself.

Richard Wagner
I am writing Parsifal only for my wife — if I had to depend on the German spirit, I should have nothing more to say.

Richard Wagner
Human dignity begins to assert itself only at the point where man is distinguishable from the beast by pity for it.

Richard Wagner
This is Alberich's dream come true — Nibelheim, world dominion, activity, work, everywhere the oppressive feeling of steam and fog.

Richard Wagner
I had translated the first twelve books of the Odyssey. For a while I learnt English also, merely so as to gain an accurate knowledge of Shakespeare; and I made a metrical translation of Romeo's monologue. Though I soon left English on one side, yet Shakespeare remained my exemplar, and I projected a great tragedy which was almost nothing but a medley of Hamlet and King Lear. The plan was gigantic in the extreme; two- and-forty human beings died in the course of this piece, and I saw myself compelled, in its working-out, to call the greater number back as ghosts, since otherwise I should have been short of characters for my last Acts. This play occupied my leisure for two whole years.

Richard Wagner