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Family trips of my childhood always began with a prayer. I suppose when one goes on vacation, one is courting death in some fashion, tying the morgue tags onto one's suitcase. But then, too, vacations are respites from death, from thoughts of death. I have sometimes wondered why friends under medical death sentences have undertaken arduous trips or undertaken arduous labors. To put some distance between themselves and death—the obvious answer.
Richard Rodriguez
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America is a faith, perhaps pancakes its sacrament. Opportunity comes to those who put away the disadvantages of family or circumstance and entrust themselves to the future. The point of the American story is simple enough for a child, particularly an immigrant child, to grasp: The past holds no sway in America.
Richard Rodriguez
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Once upon a time, I was a 'socially disadvantaged' child. An enchantedly happy child. Mine was a childhood of intense family closeness. And extreme public alienation.
Richard Rodriguez
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Supporters of bilingual education today imply that students like me miss a great deal by not being taught in their family's language. What they seem not to recognize is that, as a socially disadvantaged child, I considered Spanish to be a private language. What I needed to learn in school was that I had the right—and the obligation—to speak the public language of los gringos.
Richard Rodriguez
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The prospect of a generation of American children being raised by women in homes without fathers is challenging for religious institutions whose central conception of deity is father, whose central conception of church is family, whose only conception of family is heterosexual.
Richard Rodriguez
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I was glad to get away from those students when I was awarded a Fulbright Fellowship to study in London. I found myself in the British Museum, at first content, reading English Renaissance literature. But then came the crisis: the domed silence; the dusty pages of books all around me; the days accumulating in lists of obsequious footnotes; the wandering doubts about the value of scholarship. My year in Britain came to an end and I rushed to 'come home.' Then quickly discovered that I could not. Could not cast off the culture I had assumed. Living with my parents for the summer, I remained an academic—a kind of anthropologist in the family kitchen, searching for evidence of our 'cultural ties' as we ate dinner together.
Richard Rodriguez
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In grammar school—and as new to American history as to the American tongue—I nevertheless puzzled through several junior biographies of Franklin because young Ben's ambition magnified my own. I kept lists in those years of the books I read. I recognized the yearning to escape the limits of family— a strong inclination for the sea —as well as some more vertical yearning: a boy becomes a man by gaining wisdom; each book a rung therefore; each rung a classical tag. I weighed the shame of the sordid candle shop where Franklin was forced to work for his father against the optimism of old New England.
Richard Rodriguez
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There is something called bilingual education—a scheme proposed in the late 1960s by Hispanic-American social activists, later endorsed by a congressional vote. It is a program that seeks to permit non-English-speaking children, many from lower-class homes, to use their family language as the language of school. (Such is the goal its supporters announce.) I hear them and am forced to say no: It is not possible for a child—any child—ever to use his family's language in school. Not to understand this is to misunderstand the public uses of schooling and to trivialize the nature of intimate life—a family's 'language.'
Richard Rodriguez
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Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one's family language.
Richard Rodriguez
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In Sacramento, my brown was not halfway between black and white. On the leafy streets, on the east side of town, where my family lived, where Asians did not live, where Negroes did not live, my family's Mexican shades passed as various.
Richard Rodriguez
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An Hispanic-American writer tells me, 'I will never give up my family language; I would as soon give up my soul.' Thus he holds to his chest a skein of words, as though it were the source of his family ties. He credits to language what he should credit to family members. A convenient mistake. For as long as he holds on to words, he can ignore how much else has changed in his life.
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It would be another two decades before I came upon the words that made me think I had a story to tell—the opening words of Maxine Hong Kingston's The Woman Warrior: You must not tell anyone, my mother said, what I am about to tell you. The immigrant mother's prohibition to her daughter reminded me of my own mother's warning about spreading family secrets. In the face of California's fame for blatancy—in the face of pervasive light, ingenuousness, glass-and-aluminum housing, bikinis, billboards—Mrs. Hong recommended concealment.
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I never forgot that schooling had irretrievably changed my family's life. That knowledge, however, did not weaken ambition. Instead, it strengthened resolve. Those times I remembered the loss of my past with regret, I quickly reminded myself of all the things my teachers could give me. (They could make me an educated man.) I tightened my grip on pencil and books. I evaded nostalgia. Tried hard to forget. But one does not forget by trying to forget. One only remembers. I remembered too well that education had changed my family's life. I would not have become a scholarship boy had I not so often remembered.
Richard Rodriguez
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Richard Rodriguez
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Born:
July 31, 1944
(age 80)
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