As a matter of fact, these attributes are their fate, no longer separate objects they can carry.... part of their actual presence. I try to signify this by reorganizing the objective form of such a legendary figure so as to create an allegorical form that is complete in itself, no longer requiring an attribute that must be carried like the German businessman's briefcase; the lyre becomes part of the poet's presence, its text written all over his body, as if tattooed on his skin.

Circa 1960, in France. Dialogues – conversations with European Artists at Mid-century, 1990, p. 153