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Peaceful coexistence cannot be limited to the powerful countries if we want to ensure world peace. Peaceful coexistence must be exercised among all states, regardless of size, regardless of the previous historical relations that linked them, and regardless of the problems that may arise among some of them at a given moment.
Now, what is 'unrighteousness' in practice? It is in practice behavior of a kind disliked by the herd. By calling it unrighteousness, and by arranging an elaborate system of ethics around this conception, the herd justifies itself in wreaking punishment upon the objects of its own dislike, while at the same time, since the herd is righteous by definition, it enhances its own self-esteem at the very moment when it lets loose its impulse to cruelty. This is the psychology of lynching, and of the other ways in which criminals are punished. The essence of the conception of righteousness, therefore, is to afford an outlet for sadism by cloaking cruelty as justice.
Of course, I had to own that he was right; I didn't feel much regret for what I'd done. Still, to my mind, he overdid it, and I'd have liked to have a chance of explaining to him, in a quite friendly, almost affectionate way, that I have never been able to really regret anything in all my life. I've always been far too much absorbed in the present moment, or the immediate future, to think back.
Man seeks to escape himself in myth, and does so by any means at his disposal... unnable to withdraw into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort, the trifling feeling of escape experienced at a masked ball. He distances himself from that which he feels and sees. He invents. He transfigures. He mythifies. He creates. He fancies himself an artist. He imitates, in his small way, the painters he claims are mad.
The moment one constructs a device to carry into practice a crude idea, he finds himself unavoidably engrossed with the details of the apparatus. As he goes on improving and reconstructing, his force of concentration diminishes and he loses sight of the great underlying principle.… I do not rush into actual work. When I get an idea, I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in thought or test it in my shop. I even note if it is out of balance.
I met [Meyerbeer] at the performance of my "Battle." Most of the composers then in Vienna were kind enough to undertake something or other in my orchestra, and the young man played the big drum. Ha! ha! ha! (a peal of laughter). I had reason not to be very well satisfied with him. He was always behindhand, and I had to give it him roundly. (New peal of laughter.) He must have felt mortified by my observations; but there is no reliance to be placed in him; he has not the courage to raise his arm at the proper moment.
Do not be afraid of the past. If people tell you that it is irrevocable, do not believe them. The past, the present and the future are but one moment in the sight of God, in whose sight we should try to live. Time and space, succession and extension, are merely accidental conditions of thought. The imagination can transcend them.
As we drifted to earth I sat up on the glass roof of the capsule, watching the beauty of the golden dawn as it broke over the desert. This was a day I never thought I'd see and the rising sun and growing warmth of the day seemed very precious. It made me aware that hard-won things are more valuable than those that come too easily. It reminded me to always enjoy the moment.
[Use] rifles, revolvers, bombs, knives, knuckle-dusters, sticks, rags soaked in kerosene for starting fires... barbed wire, nails (against cavalry)… or acids to be poured on the police... The killing of spies, policemen, gendarmes, the blowing up of police stations... [must start] at a moment's notice.