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Michelangelo Antonioni Quotes
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I've always dreamed of getting to know the women of other countries better. When I was a boy, I remember, I used to get angry at the thought that I did not know German or American or Swedish women.
Michelangelo Antonioni
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There are many ways of communicating. Some hold the theory that new forms of communication between people can be obtained through hallucinogenic drugs.
Michelangelo Antonioni
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Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
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I've made films about the middle classes because I know them best. Everyone talks about what he knows best.
Michelangelo Antonioni
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I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
Michelangelo Antonioni
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Fitzgerald said a very interesting thing in his diary; that human life proceeds from the good to the less good - that is, it's always worse as you go on. That's true.
Michelangelo Antonioni
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One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
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The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created; certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
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I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.
Michelangelo Antonioni
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I'm more or less skeptical about marriage, because of family ties, relations between children and parents - it's all so depressing.
Michelangelo Antonioni
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I find that it is very useful to look over the location and to feel out the atmosphere while waiting for the actors. It may happen that the images before my eyes coincide with those I had in my mind, but this is not frequently the case. It more often happens that there is something insincere or artificial about the image one has thought of. Here again is another way of improvising.
Michelangelo Antonioni
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We know that under the image revealed there is another which is truer to reality and under this image still another and yet again still another under this last one, right down to the true image of that reality, absolute, mysterious, which no one will ever see or perhaps right down to the decomposition of any image, of any reality.
Michelangelo Antonioni
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You must be painter who takes a canvas and does what he likes with it. We are more like painters in past centuries who were ordered to paint frescoes to specific measurements. Among the people in the fresco may be a bishop, the prince's wife, etc. The fresco isn't bad simply because the painter used for models people from the court of the prince who ordered and paid for it.
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A director is a man, therefore he has ideas; he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.
Michelangelo Antonioni
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When we say a character in my films doesn't function, we mean he doesn't function as a person, but he does function as a character — that is, until you take him as a symbol. At that point it is you who are not functioning. Why not simply accept him as a character, without judging him? Accept him for what he is. Accept him as a character in a story, without claiming that he derives or acquires meaning from that story. There may be meanings, but they are different for all of us.
Michelangelo Antonioni
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Happiness is like the bluebird of Maeterlinck: try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more it runs away.
Michelangelo Antonioni
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Modern life is very difficult for people who are unprepared. But this new environment will eventually facilitate more realistic relationships between people.
Michelangelo Antonioni
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My characters are ambiguous. Call them that. I don't mind. I am ambiguous myself. Who isn't?
Michelangelo Antonioni
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When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.
Michelangelo Antonioni
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For me, from the moment when the first, still unformed, idea comes into my head until the projection of the rushes, the process of making a film constitutes a single piece of work. I mean that I cannot become interested in anything, day or night, which is not that film. Let no one imagine that this is a romantic pose — on the contrary. I become relatively more lucid, more attentive, and almost feel as if I were intelligent and more ready to understand.
Michelangelo Antonioni
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I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talk a lot less, they will be happier. Don't ask me why.
Michelangelo Antonioni
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I have always imposed my wishes on the cameraman. Moreover, I have always picked them at the outset of their careers and, to a certain extent, have formed them myself.
Michelangelo Antonioni
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I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let me thoughts wander freely.
Michelangelo Antonioni
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The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
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I've always said that the actor is only an element of the image, rarely the most important. The actor is important with his dialogue, with the landscape, with a gesture — but the actor in himself is nothing.
Michelangelo Antonioni
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I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
Michelangelo Antonioni
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I would like to make clear that I speak only of sensations. I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
Michelangelo Antonioni
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Everything depends on what you put in front of the camera, what perspectives you create, contrasts, colors. The cameraman can do great things, provided he is well grounded technically. If a person hasn't the raw material, I obviously couldn't do anything with him. But all I ask of a cameraman is technical experience. Everything else is up to me. I was amazed to find that in America cameramen are surprised that this is the way I work.
Michelangelo Antonioni
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Sometimes I pick up a magazine and read a piece of film criticism — to the end only if I like it. I don't like those which are too free with praise because their reasons seem wrong and that annoys me. Critics who attack me do so for such contradictory reasons that they confuse me, and I am afraid that if I am influenced by one, I will sin according to the standards of the other.
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It's very difficult to explain what I do. It is much more instinctive than you realize; much, much more. … the reasons that make me interested in a subject are, how shall I say, fickle. Many times I have chosen, among three stories, one for reasons that are entirely accidental: I get up and think this one will be stupendous because the night before I had a certain dream. Or perhaps I put it better by saying that I had found inside myself reasons why this particular story seems more valid. … I always have motives, but I forget them.
Michelangelo Antonioni
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Quote of the day
Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up.
Barbara Kingsolver
Michelangelo Antonioni
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Born:
September 29, 1912
Died:
July 30, 2007
(aged 94)
Bio:
Michelangelo Antonioni, Cavaliere di Gran Croce was an Italian film director, screenwriter, editor, and short story writer.
Known for:
Blowup (1966)
L'Avventura (1960)
L'Eclisse (1962)
The Night (1961)
Red Desert (1964)
Most used words:
film
people
image
character
reality
moment
actor
story
reasons
work
find
shooting
scene
mind
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