I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.


The Architecture of Vision: Writings and Interviews on Cinema (ed. 2007) - ISBN: 9780226021140


I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside....

I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside....

I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside....

I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside....