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Michelangelo Antonioni Quotes
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When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.
Michelangelo Antonioni
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When I'm sure I have a story, I call my collaborators and we begin to discuss it. And we conduct studies of certain subjects to make sure of our terrain. Then, finally, in the last month or two, I write the story.
Michelangelo Antonioni
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I'm not rich and maybe I'll never be rich. Money is useful - yes - but I don't worship it.
Michelangelo Antonioni
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Life should be taken ironically; otherwise, it becomes a tragedy.
Michelangelo Antonioni
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One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
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There are many ways of communicating. Some hold the theory that new forms of communication between people can be obtained through hallucinogenic drugs.
Michelangelo Antonioni
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Don't regard my characters as symbols of a determined society. See them as something that sparks a reaction within you so that they become a personal experience. The critic is a spectator and an artist insofar as he transforms the work into a personal thing of his own.
Michelangelo Antonioni
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I'm more or less skeptical about marriage, because of family ties, relations between children and parents - it's all so depressing.
Michelangelo Antonioni
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A director is a man, therefore he has ideas; he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.
Michelangelo Antonioni
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I find that it is very useful to look over the location and to feel out the atmosphere while waiting for the actors. It may happen that the images before my eyes coincide with those I had in my mind, but this is not frequently the case. It more often happens that there is something insincere or artificial about the image one has thought of. Here again is another way of improvising.
Michelangelo Antonioni
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I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Michelangelo Antonioni
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Everything depends on what you put in front of the camera, what perspectives you create, contrasts, colors. The cameraman can do great things, provided he is well grounded technically. If a person hasn't the raw material, I obviously couldn't do anything with him. But all I ask of a cameraman is technical experience. Everything else is up to me. I was amazed to find that in America cameramen are surprised that this is the way I work.
Michelangelo Antonioni
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When we find ourselves up against practical obstacles that can't be overcome, we must go forward. You either make the film as you can or don't make it at all.
Michelangelo Antonioni
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You mustn't ask me to explain everything I do. I can't. That's that. How can I say why at a certain moment I needed this. How can I explain why I needed a confusion of colors?
Michelangelo Antonioni
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In any case, the idea of giving "all" of reality is overly simple and absurd.
Michelangelo Antonioni
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The way I relax, what I like doing most, is watching. That's why I like traveling, to have new things before my eyes - even a new face. I enjoy myself like that and can stay for hours, looking at things, people, scenery.
Michelangelo Antonioni
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I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.
Michelangelo Antonioni
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Today we no longer know what to call art, what its function is and even less what function it will have in the future. We know only that it is something dynamic - unlike many ideas that have governed us.
Michelangelo Antonioni
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I dislike judging myself, but I will say I would be wealthy today if I had accepted all the films that have been offered to me with large sums of money. But I've always refused, in order to do what I felt like doing.
Michelangelo Antonioni
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The struggle for life is not only the material and economic one. Comfort is no protection from anxiety.
Michelangelo Antonioni
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Fitzgerald said a very interesting thing in his diary; that human life proceeds from the good to the less good - that is, it's always worse as you go on. That's true.
Michelangelo Antonioni
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I can't give any absolute definition of what love is, or even whether it ought to exist.
Michelangelo Antonioni
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The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created; certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
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My films have always had an element of immediate autobiography, in that I shoot any particular scene according to the mood I'm in that day, according to the little daily experiences I've had and am having - but I don't tell what has happened to me. I would like to do something more strictly autobiographical, but perhaps I never will, because it isn't interesting enough.
Michelangelo Antonioni
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I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both — this method is wrong. A scene has to have a rhythm of its own, a structure of its own.
Michelangelo Antonioni
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Quote of the day
A willing heart adds feather to the heel, And makes the clown a winged Mercury.
Joanna Baillie
Michelangelo Antonioni
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Born:
September 29, 1912
Died:
July 30, 2007
(aged 94)
Bio:
Michelangelo Antonioni, Cavaliere di Gran Croce was an Italian film director, screenwriter, editor, and short story writer.
Known for:
Blowup (1966)
L'Avventura (1960)
L'Eclisse (1962)
The Night (1961)
Red Desert (1964)
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