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Madeleine L'Engle -
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As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers
Madeleine L'Engle
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When we are self-conscious, we cannot be wholly aware; we must throw ourselves out first. This throwing ourselves away is the act of creativity. So, when we wholly concentrate, like a child in play, or an artist at work, then we share in the act of creating. We not only escape time, we escape our self-conscious selves.
Madeleine L'Engle
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In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words.
Madeleine L'Engle
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The concentration of a small child at play is analogous to the concentration of the artist of any discipline. In real play, which is real concentration, the child is not only outside time, he is outside himself. He has thrown himself completely into whatever it is he is doing. A child playing a game, building a sand castle, painting a picture, is completely in what he is doing. His self-consciousness is gone; his consciousness is wholly focused outside himself.
Madeleine L'Engle
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When we can play with the unself-conscious concentration of a child, this is: art: prayer: love.
Madeleine L'Engle
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If a book is not good enough for a grownup, it is not good enough for a child.
Madeleine L'Engle
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I am still every age that I have been. Because I was once a child, I am always a child. Because I was once a searching adolescent, given to moods and ecstasies, these are still part of me, and always will be.
Madeleine L'Engle
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We do have to use our minds as far as they will take us, yet acknowledging that they cannot take us all the way.
We can give a child a self-image. But is this a good idea? Hitler did a devastating job at that kind of thing. So does Chairman Mao. … I haven't defined a self, nor do I want to. A self is not something static, tied up in a pretty parcel and handed to the child, finished and complete. A self is always becoming.
Madeleine L'Engle
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What can we give a child when there is nothing left?
All we have, I think, is the truth, the truth that will set him free, not limited, provable truth, but the open, growing, evolving truth that is not afraid.
Madeleine L'Engle
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Oh child, your language is so utterly simple and limited that it has the affect of extreme complication. -Aunt Beast
Madeleine L'Engle
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When a child who has been conceived in love is born to a man and a woman, the joy of that birth sings throughout the universe. The joy of writing or painting is much the same, and the insemination comes not from the artist himself but from his relationship with those he loves, with the whole world.
All real art is, in its true sense, religious; it is a religious impulse; there is not such thing as a non-religious subject.
Madeleine L'Engle
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During the long drag of years before our youngest child went to school, my love for my family and my need to write were in acute conflict. The problem was really that I put two things first. My husband and children came first. So did my writing. Bump.
Madeleine L'Engle
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One reason nearly half my books are for children is the glorious fact that the minds of children are still open to the living word; in the child, nightside and sunside are not yet separated; fantasy contains truths which cannot be stated in terms of proof.
Madeleine L'Engle
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How do we teach a child — our own, or those in a classroom — to have compassion: to allow people to be different; to understand that like is not equal; to experiment; to laugh; to love; to accept the fact that the most important questions a human being can ask do not have — or need — answers.
Madeleine L'Engle
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Madeleine L'Engle
Wikipedia
Born:
November 29, 1918
Died:
September 6, 2007
(aged 88)
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