Kenzaburō Ōe Quotes

28 Sourced Quotes

At the nadir of the post-war economic poverty we found a resilience to endure it, never losing our hope for recovery. It may sound curious to say so, but we seem to have no less resilience to endure our anxiety about the ominous consequence emerging out of the present prosperity. From another point of view, a new situation now seems to be arising in which Japan's prosperity is going to be incorporated into the expanding potential power of both production and consumption in Asia at large.

Kenzaburō Ōe
In principle, I am an anarchist. Kurt Vonnegut once said he was an agnostic who respects Jesus Christ. I am an anarchist who loves democracy.

Kenzaburō Ōe
I am the kind of writer who rewrites and rewrites. I am very eager to correct everything. If you look at one of my manuscripts, you can see I make many changes. So one of my main literary methods is repetition with difference. I begin a new work by first attempting a new approach toward a work that I've already written — I try to fight the same opponent one more time. Then I take the resulting draft and continue to elaborate upon it, and as I do so the traces of the old work disappear. I consider my literary work to be a totality of differences within repetition.
I used to say that this elaboration was the most important thing for a novelist to learn.

Kenzaburō Ōe
My mentally handicapped son Hikari was awakened by the voices of birds to the music of Bach and Mozart, eventually composing his own works. The little pieces that he first composed were full of fresh splendour and delight. They seemed like dew glittering on grass leaves. The word innocence is composed of in — "not" and nicer — "hurt", that is, "not to hurt". Hikari's music was in this sense a natural effusion of the composer's own innocence.

Kenzaburō Ōe
In the end of my new novel, my hero is creating a new charity, not Christian, not Buddhist, but only they are doing something for the soul of him, of the assembled young men. One day the leader reads a Bible in front of the people, the letter of Ephesians. In Ephesians there are two words: "New Man." Jesus Christ has become a New Man on the cross. We must take off the old coat of the old man. We must become the New Man. Only the New Man can do something, so you must become a New Man. My hero has no program about the future, but he believes that we must create New Man. Young men must become New Man. Old man must mediate to create New Man. That is my creed.

Kenzaburō Ōe
The fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world.

Kenzaburō Ōe
A dangerous atmosphere of nationalism is coming in our society. So now I want to criticize this tendency, and I want to do everything to prevent the development of fascism in Japanese society.

Kenzaburō Ōe
In the rest of my lecture I would like to use the word "ambiguous" in accordance with the distinction made by the eminent British poet Kathleen Raine; she once said of William Blake that he was not so much vague as ambiguous. I cannot talk about myself otherwise than by saying "Japan, the Ambiguous, and Myself".

Kenzaburō Ōe
I have a habit to be reborn as a writer. So if I find myself in a crisis that I have never experienced, I can be born, or I can write something, by the power of the habit. Even a soldier or a farmer or a fisherman can be reborn by the power of the habit when he meets the greatest crisis of his life.

Kenzaburō Ōe
To be upright and to have an imagination: that is enough to be a very good young man.

Kenzaburō Ōe
I was on a promotional tour in Great Britain, and I stopped in Wales. I was there for three days and I ran out of books to read. I went to a local bookstore and asked the person working there to recommend some books in English. He suggested a collection by a poet who was from the area but warned me that the book wasn't selling very well. The poet was R. S. Thomas, and I bought everything they had. As I read him, I realized that he was the most important poet I could be reading at that point in my life.

Kenzaburō Ōe
The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.

Kenzaburō Ōe
To talk of prayer after admitting he professed no faith was, in my opinion, a breach of common courtesy. In this sense, he did make a social blunder, for which I think he well deserved some minor castigation.

Kenzaburō Ōe
I don't think young people need to see the face of the deceased.

Kenzaburō Ōe
He said he didn't care if he went to heaven or hell, because neither could be more fearful than absolute nothingness; salvation and damnation were one and the same if the only thing out there was total nothingness.

Kenzaburō Ōe
I think the question for him is, how is a faithless person to cope with life. This is where he believes he can find something upon which to establish a literary career. You know, don't you, how often he talks of Yeats? This goes way back, to when he was very young.

Kenzaburō Ōe
Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write. From the periphery, we can write the story of the human being and this story can express the humanity of the center, so when I say the word periphery, this is a most important creed of mine.

Kenzaburō Ōe
If any suffering was fruitless it was the agony of a hangover; what he suffered now could not expiate suffering of any other kind.

Kenzaburō Ōe
The ideal teacher student relationship exists when the student is better than the teacher.

Kenzaburō Ōe
Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.

Kenzaburō Ōe
The verb "heal" must be used actively. I heal myself. A human being is healed by something. That is a very positive deed of human beings. When I listen to the music of my son, I don't experience any passive deed. I feel I am doing something positive with my son. We are looking out at the same direction. So if someone feels he is healed by the music of my son, even then I believe someone is looking in the same direction as my son. So he is positively healing himself with my son.

Kenzaburō Ōe
Under that title Kawabata talked about a unique kind of mysticism which is found not only in Japanese thought but also more widely Oriental thought. By 'unique' I mean here a tendency towards Zen Buddhism. Even as a twentieth-century writer Kawabata depicts his state of mind in terms of the poems written by medieval Zen monks. Most of these poems are concerned with the linguistic impossibility of telling truth. According to such poems words are confined within their closed shells. The readers can not expect that words will ever come out of these poems and get through to us. One can never understand or feel sympathetic towards these Zen poems except by giving oneself up and willingly penetrating into the closed shells of those words.

Kenzaburō Ōe
I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.

Kenzaburō Ōe
There could be joy in destruction, too, couldn't there? Isn't Jesus Christ's Second Coming supposed to occur only after a lot of unmitigated destruction? But again, human history is fraught with tragedies in which man spared no effort to destroy with millenarian joy, only to learn that no messiah appeared afterwards.

Kenzaburō Ōe
I don't have faith nor do I think I will have it in the future, but I'm not an atheist. My faith is that of a secular person. You might call it morality. Throughout my life I have acquired some wisdom but always through rationality, thought, and experience. I am a rational person and I work only through my own experience. My lifestyle is that of a secular person, and I have learned about human beings that way

Kenzaburō Ōe
I think I am doing my works to link myself, my family, with society — with the cosmos. To link me with my family to the cosmos, that is easy, because all literature has some mystic tendency. So when we write about our family, we can link ourselves to the cosmos.

Kenzaburō Ōe
The writer's job is the job of a clown …the clown who also talks about sorrow.

Kenzaburō Ōe
I think, we can only write very personal matters through our experience. When I named my first novel about my son A Personal Matter, I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.

Kenzaburō Ōe