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At no time are we ever in such complete possession of a journey, down to its last nook and cranny, as when we are busy with preparations for it. After that, there remains only the journey itself, which is nothing but the process through which we lose our ownership of it.
Yukio Mishima
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By means of microscopic observation and astronomical projection the lotus flower can become the foundation for an entire theory of the universe and an agent whereby we may perceive the Truth. And first we must know that each of the petals has eighty-four thousand veins and that each vein gives eighty-four thousand lights.
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The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life's diversity, men whose spirits shattered the natural wall of the individual body, making nothing of this barrier, set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish.
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We had stretched out our arms to each other and supported something in our joined hands, but this thing we were holding was like a sort of gas that exists when you believe in its existence and disappears when you doubt. The task of supporting it seems simple at first glance, but actually requires an ultimate refinement of calculation and a consummate skill.
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Isao had never felt that he might want to be a woman. He had never wished for anything else but to be a man, live in a manly way, die a manly death. To be thus a man was to give constant proof of one's manliness-to be more a man today than yesterday, more a man tomorrow than today. To be a man was to forge ever upward toward the peak of manhood, there to die amid the white snows of that peak.
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As he saw it, there was only one choice — to be strong and upright, or to commit suicide.
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Dreams, memories, the sacred—they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.
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What I wanted was to die among strangers, untroubled, beneath a cloudless sky. And yet my desire differed from the sentiments of that ancient Greek who wanted to die under the brilliant sun. What I wanted was some natural, spontaneous suicide. I wanted a death like that of a fox, not yet well versed in cunning, that walks carelessly along a mountain path and is shot by a hunter because of its own stupidity…
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Better to be caught in sudden, complete catastrophe than to be gnawed by the cancer of imagination.
Yukio Mishima
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For clearly it is impossible to touch eternity with one hand and life with the other.
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It is a common failing of childhood to think that if one makes a hero out of a demon the demon will be satisfied.
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Down beneath the spray, down beneath the whitecaps, that beat themselves to pieces against the prow, there were jet-black invisible waves, twisting and coiling their bodies. They kept repeating their patternless movements, concealing their incoherent and perilous whims.
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The period of childhood is a stage on which time and space become entangled.
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In the pale light of daybreak the gravestones looked like so many white sails of boats anchored in a busy harbor. They were sails that would never again be filled with wind, sails that, too long unused and heavily drooping, had been turned into stone just as they were. The boats' anchors had been thrust so deeply into the dark earth that they could never again be raised.
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Literary art takes its materials from life, but although life is thus the mother of literature, it is also her bitter enemy; although life is inherent in the author himself, it is also the eternal antithesis of art.
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Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.
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I've never done much, but I've lived my whole life thinking of myself as the only real man. And if I'm right, then a limpid, lonely horn is going to trumpet through the dawn some day, and a turgid cloud laced with light will sweep down, and the poignant voice of glory will call for me from the distance — and I'll have to jump out of bed and set out alone. That's why I've never married. I've waited, and waited, and here I am past thirty.
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Just let matters slide. How much better to accept each sweet drop of the honey that was Time, than to stoop to the vulgarity latent in every decision. However grave the matter at hand might be, if one neglected it for long enough, the act of neglect itself would begin to affect the situation, and someone else would emerge as an ally. Such was Count Ayakura's version of political theory.
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Abruptly he thrust his snow-drenched leather gloves against my cheeks. I dodged. A raw carnal feeling blazed up within me, branding my cheeks. I felt myself staring at him with crystal clear eyes... From that time on I was in love with Omi.
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When people concentrate on the idea of beauty, they are, without realizing it, confronted with the darkest thoughts that exist in this world. That, I suppose, is how human beings are made.
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For a long time I had not approached the forbidden fruit called happiness, but it was now tempting me with a melancholy persistence. I felt as though Sonoko were an abyss above which I stood poised.
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The special quality of hell is to see everything clearly down to the last detail.
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Possessing by letting go of things was a secret of ownership unknown to youth.
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Advice almost never functions as a social lubricant; eight or nine times out of ten it makes people lose face, crushes their will, and creates a grudge.
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And certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man's only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too; that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin.
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According to Eshin's "Essentials of Salvation," the Ten Pleasures are but a drop in the ocean when compared to the joys of the Pure Land.
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Of all the kinds of decay in this world, decadent purity is the most malignant.
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There isn't any fear in existence itself, or any uncertainty, but living creates it.
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Is there not a sort of remorse that precedes sin? Was it remorse at the very fact that I existed?
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Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we're unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they'll be talking about you and me. We'll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.
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Quote of the day
Women and men in the crowd meet and mingle, Yet with itself every soul standeth single.
Alice Cary
Yukio Mishima
Creative Commons
Born:
January 14, 1925
Died:
November 25, 1970
(aged 45)
Bio:
Yukio Mishima is the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, and film director.
Known for:
Spring Snow (1969)
Runaway Horses (1969)
Forbidden Colors (1951)
The Sailor Who Fell from Grace with the Sea (1963)
The Decay of the Angel
Most used words:
man
life
time
death
beauty
human
amid
touch
existence
die
body
quality
people
love
group
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