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Yukio Mishima Quotes
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The past does not only draw us back to the past. There are certain memories of the past that have strong steel springs and, when we who live in the present touch them, they are suddenly stretched taut and then they propel us into the future.
Yukio Mishima
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He'd been mistaken in thinking that if he killed himself the sordid bourgeois world would perish with him.
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Only through the group, I realised — through sharing the suffering of the group — could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of individuality was necessary. The tragic quality of the group was also necessary, the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it to an ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death — which meant, of course, that it must be a community of warriors.
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We had stretched out our arms to each other and supported something in our joined hands, but this thing we were holding was like a sort of gas that exists when you believe in its existence and disappears when you doubt. The task of supporting it seems simple at first glance, but actually requires an ultimate refinement of calculation and a consummate skill.
Yukio Mishima
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Isao had never felt that he might want to be a woman. He had never wished for anything else but to be a man, live in a manly way, die a manly death. To be thus a man was to give constant proof of one's manliness-to be more a man today than yesterday, more a man tomorrow than today. To be a man was to forge ever upward toward the peak of manhood, there to die amid the white snows of that peak.
Yukio Mishima
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I seemed like a baby bird keeping its truly innocent animal lusts hidden under its wing. I was being tempted, not by the desire of possession, but simply by unadorned temptation itself.
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How oddly situated a man is apt to find himself at the age of thirty-eight! His youth belongs to the distant past. Yet the period of memory beginning with the end of youth and extending to the present has left him not a single vivid impression. And therefore he persists in feeling that nothing more than a fragile barrier separates him from his youth. He is forever hearing with the utmost clarity the sounds of this neighboring domain, but there is no way to penetrate the barrier.
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If we look on idly, heaven and earth will never be joined. To join heaven and earth, some decisive deed of purity is necessary. To accomplish so resolute an action, you have to stake your life, giving no thought to personal gain or loss. You have to turn into a dragon and stir up a whirlwind, tear the dark, brooding clouds asunder and soar up into the azure-blue sky.
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All my life I have been acutely aware of a contradiction in the very nature of my existence. For forty-five years I struggled to resolve this dilemma by writing plays and novels. The more I wrote, the more I realized mere words were not enough. So I found another form of expression.
Yukio Mishima
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Again and again, the cicada's untiring cry pierced the sultry summer air like a needle at work on thick cotton cloth.
Yukio Mishima
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History knew the truth. History was the most inhuman product of humanity.It scooped up the whole of human will and, like the goddess Kali in Calcutta, dripped blood from its mouth as it bit and crunched.
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Young people get the foolish idea that what is new for them must be new for everybody else too. No matter how unconventional they get, they're just repeating what others before them have done.
Yukio Mishima
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Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.
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If the world changed, i could not exist, and if i changed, the world could not exist
Yukio Mishima
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I had no taste for defeat — much less victory — without a fight.
Yukio Mishima
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The samurai ethic is a political science of the heart, designed to control such discouragement and fatigue in order to avoid showing them to others. It was thought more important to look healthy than to be healthy, and more important to seem bold and daring than to be so. This view of morality, since it is physiologically based on the special vanity peculiar to men, is perhaps the supreme male view of morality.
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Ours is an age in which everything is based on the premise that it is best to live as long as possible. The average life span has become the longest in history, and a monotonous plan for humanity unrolls before us.
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He had never looked forward to the wisdom and other vaunted benefits of old age. Would he be able to die young—and if possible free of all pain? A graceful death—as a richly patterned kimono, thrown carelessly across a polished table, slides unobtrusively down into the darkness of the floor beneath. A death marked by elegance.
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Even when we're with someone we love, we're foolish enough to think of her body and soul as being separate. To stand before the person we love is not the same as loving her true self, for we are only apt to regard her physical beauty as the indispensable mode of her existence. When time and space intervene, it is possible to be deceived by both, but on the other hand, it is equally possible to draw twice as close to her real self.
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In its essence, any art that relies on words makes use of their ability to eat away — of their corrosive function — just as etching depends on the corrosive power of nitric acid.
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Human beings — they go on being born and dying, dying and being born. It's kind of boring, isn't it?
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Actually the action called a kiss represented nothing more for me than some place where my spirit could seek shelter.
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From the moment that a man no longer responds in the slightest to the motives that regulate the material world, that world appears to be at complete repose.
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As long as you know I am waiting, take your time flowers of the spring.
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The highest point at which human life and art meet is in the ordinary. To look down on the ordinary is to despise what you can't have. Show me a man who fears being ordinary, and I'll show you a man who is not yet a man.
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Held in the custody of childhood is a locked chest; the adolescent, by one means or another, tries to open it. The chest is opened: inside, there is nothing. So he reaches a conclusion: the treasure chest is always like this, empty. From this point on, he gives priority to this assumption of his rather than to reality. In other words, he is now a "grown-up."
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An ugliness unfurled in the moonlight and soft shadow and suffused the whole world. If I were an amoeba, he thought, with an infinitesimal body, I could defeat ugliness. A man isn't tiny or giant enough to defeat anything.
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What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.
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A samurai is a total human being, whereas a man who is completely absorbed in his technical skill has degenerated into a 'function', one cog in a machine.
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There's a huge seal called 'impossibility' pasted all over this world. And don't ever forget that we're the only ones who can tear it off once and for all.
Yukio Mishima
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Quote of the day
There is a marvelous turn and trick to British arrogance; its apparent unconsciousness makes it twice as effectual.
Catherine Drinker Bowen
Yukio Mishima
Creative Commons
Born:
January 14, 1925
Died:
November 25, 1970
(aged 45)
Bio:
Yukio Mishima is the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, and film director.
Known for:
Spring Snow (1969)
Runaway Horses (1969)
Forbidden Colors (1951)
The Sailor Who Fell from Grace with the Sea (1963)
The Decay of the Angel
Most used words:
man
life
time
death
beauty
human
amid
touch
existence
die
body
quality
people
love
group
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