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Ken Kesey Quotes
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I'd rather be a lightning rod than a seismograph.
Ken Kesey
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You can't really be strong until you can see a funny side things.
Ken Kesey
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Leary can get a part of my mind that's kind of rusted shut grinding again, just by being around him and talking, 'cause that's where he works. He knows that area of the mind and the brain, and he knows the difference between the two areas. He's a real master at getting your old wheel squeaking again. … When we first broke into that forbidden box in the other dimension, we knew that we had discovered something as surprising and powerful as the New World when Columbus came stumbling onto it. It is still largely unexplored and uncharted. People like Leary have done the best they can to chart it sort of underground, but the government and the powers do not want this world charted, because it threatens established powers. It always has.
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Maybe not you, buddy, but the rest are even scared to open up and laugh. You know, that's the first thing that got me about this place, that there wasn't anybody laughing. I haven't heard a real laugh since I came through that door, do you know that? Man, when you lose your laugh you lose your footing.
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For there is always a sanctuary more, a door that can never be forced, a last inviolable stronghold that can never be taken, whatever the attack; your vote can be taken, you name, you innards, or even your life, but that last stonghold can only be surrendered. And to surrender it for any reason other than love is to surrender love.
Ken Kesey
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There's no doubt in my mind that McMurphy's won, but I'm not sure what.
Ken Kesey
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It's still hard for me to have a clear mind thinking on it. But it's the truth even if it didn't happen.
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LSD lets you in on something. When you're tripping, the idea of race disappears; the idea of sex disappears; you don't even know what species you are sometimes. And I don't know of anybody who hasn't come back from that being more humane, more thoughtful, more understanding.
Ken Kesey
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We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we're in the present, but we aren't. The present we know is only a movie of the past.
Ken Kesey
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Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys...
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I'm for mystery, not interpretive answers. … The answer is never the answer. What's really interesting is the mystery. If you seek the mystery instead of the answer, you'll always be seeking. I've never seen anybody really find the answer, but they think they have. So they stop thinking. But the job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
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While McMurphy laughs. Rocking farther and farther backward against the cabin top, spreading his laugh out across the water — laughing at the girl, at the guys, at George, at me sucking my bleeding thumb, at the captain back at the pier... and the Big Nurse and all of it. Because he knows you have to laugh at the things that hurt you just to keep yourself in balance, just to keep the world from running you plumb crazy. He knows there's a painful side; he knows my thumb smarts and his girlfriend has a bruised breast and the doctor is losing his glasses, but he won't let the pain blot out the humor no more'n he'll let the humor blot out the pain.
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The best of all possible cages.' Ben stepped back to regard the job with a sad smile. 'What more can one ask?
Ken Kesey
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Jack London had class. He wasn't a very good writer, but he had tremendous class. And nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don't know any book that would be more full.
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What can you pay for the way a man lives? What can you pay for what a man is?
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You can't really separate the mask and the look from the story and the performance. Just hanging a mask on the wall makes it a piece of art in the museum, but if you put it on and use it as part of a story, then the story comes alive; the mask comes alive.
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There's shames a man can never reason away, though he looks back and piles up reasons over them forty dozen deep. And maybe those are the shames a man never should reason away.
Ken Kesey
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He's got hands so long and white and dainty I think they carved each other out of soap, and sometimes they get loose and glide around in front of him free as two white birds until he notices them and traps them between his knees; it bothers him that he's got pretty hands.
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All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
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We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing — half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
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Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.
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He was in his chair in the corner, resting a second before he came out for the next round — in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
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Later, hiding in the latrine from the black boys, I'd take a look at my own self in the mirror and wonder how it was possible that anybody could manage such an enormous thing as being what he was.
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"But I tried though," he says. "Goddammit, I sure as hell did that much, now, didn't I?"
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Sometimes I looked at them and sometimes they looked at me, but rarely did we look at one another.
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That ain't me, that ain't my face. It wasn't even me when I was trying to be that face. I wasn't even really me them; I was just being the way I looked, the way people wanted.
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But if the strength ain't real, I recall thinking the very last thing that day, before I finally passed out, then the weakness sure enough is. Weakness is true and real. I used to accuse the kid of faking his weakness. But faking proves the weakness is real. Or you wouldn't be so weak as to fake it. No, you can't ever fake being weak. You can only fake being strong...
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I believe that with the advent of acid, we discovered a new way to think, and it has to do with piecing together new thoughts in your mind. Why is it that people think it's so evil? What is it about it that scares people so deeply, even the guy that invented it, what is it? Because they're afraid that there's more to reality than they have ever confronted. That there are doors that they're afraid to go in, and they don't want us to go in there either, because if we go in we might learn something that they don't know. And that makes us a little out of their control.
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No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
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He knows that there's no better way in the world to aggravate somebody who's trying to make it hard for you than by acting like you're not bothered.
Ken Kesey
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Ken Kesey
Born:
September 17, 1935
Died:
November 10, 2001
(aged 66)
Bio:
Kenneth Elton "Ken" Kesey was an American novelist, essayist, and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.
Known for:
One Flew Over the Cuckoo's Nest (1962)
Sometimes a Great Notion (1964)
Sailor Song (1992)
Demon Box (1986)
Last Go Round (1994)
Most used words:
people
real
time
face
mind
answer
big
man
sound
crazy
mystery
bus
lose
hands
laugh
Ken Kesey on Wikipedia
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