John Miles Foley Quotes

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To put it most simply, the oral traditional idiom persisted because—even in a written incarnation—it offered the only avenue to the immanent poetic tradition, the invisible but ever-present aesthetic context for all of the poems.

John Miles Foley

The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.

John Miles Foley

We know now that cultures are not oral or literate; rather they employ a menu or spectrum of communicative strategies, some of them associated with texts, some with voices, and some with both.

John Miles Foley

John Miles Foley

John Miles Foley

Born: January 22, 1947

Died: May 3, 2012 (aged 65)

Bio: John Miles Foley was a scholar of comparative oral tradition, particularly medieval and Old English literature, Homer and Serbian epic.

Known for:

How to read an oral poem (2002)
The singer of tales in performance (1995)
Traditional Oral Epic (1990)
Homer's Traditional Art (1999)
The theory of oral composition (1988)

John Miles Foley on Wikipedia

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