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Jay Asher -
Thirteen Reasons Why (2007)
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I hate not knowing what to believe anymore. I hate not knowing what's real.
Jay Asher
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It's up to the reader to decipher the code, or the words, based on everything they know about life and emotions.
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We both laugh. And it feels good. A release. Like laughing at a funeral. Maybe inappropriate, but definitely needed.
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The road to publication is like a churro - long and bumpy, but sweet.
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I want to collapse. I want to fall on the sidewalk right there and drag myself to the ivy.
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Did the poet use red to symbolize blood? Anger? Lust? Or is the wheelbarrow simply red because red sounded better than black?
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Because it may seem like a small role now, but it matters. In the end, everything matters.
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Because what if I got to know you and you turned out to be just like they said? What if you weren't the person I hoped you were? That, more than anything, would have hurt the most.
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Don't give up on me now. I'm sorry. I guess that's an odd thing to say. Because isn't that what I'm doing? Giving up?
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I want to look back. To look over my shoulder and see the Stop sign with huge reflective letters, pleading with Hannah. Stop!
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I hope you're ready, because I'm about to tell you the story of my life. More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why.
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We all know the sound a camera makes when it snaps a picture. Even some of the digitals do it for nostalgia's sake.
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I could picture life—school and everything else—continuing on without me. But I could not picture my funeral. Not at all. Mostly because I couldn't imagine who would attend or what they would say.
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I decided to find out how people at school might react if one of the students never came back.
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It's hard to be disappointed when what you expected turns out to be true.
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That's what I love about poetry. The more abstract, the better. The stuff where you're not sure what the poet's talking about. You may have an idea, but you can't be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings.
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And what about you-the rest of you-did you notice the scars you left behind? No. Probably not. Because most of them can't be seen with the naked eye.
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You can't go back to how things were. How you thought they were. All you really have is...now.
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We didn't get that chance because I was afraid. Afraid I had no chance with you.
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Then come to realize that you're making mountains out of molehills. Realize how petty you've become. Sure, it may feel like you can't get a grip on this town. It may seem that every time someone offers you a hand up, they just let go and you slip further down. But you must stop being so pessimistic, Hannah, and learn to trust those around you. So I do. One more time.
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That's when I said it. That's when I whispered to her, I'm so sorry. Because inside, I felt so happy and sad at the same time. Sad that it took me so long to get there. But happy that we got there together.
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I'm listening to someone give up. Someone I knew—someone I liked. I'm listening... but still, I'm too late.
Jay Asher
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Because when you're posed, you know someone's watching. You put on your very best smile. You let your sweetest personality shine.
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If you're angry, you don't have to write a poem dealing with the cause of your anger. But it needs to be an angry poem. So go ahead... write one. I know you're at least a little bit angry with me. And when you're done with your poem, decipher it as if you'd just found it printed in a textbook and know absolutely nothing about its author. The results can be amazing...and scary. But it's always cheaper than a therapist.
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Maybe it's not as important to you as it was for me, but that's not for you to decide.
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Maybe you didn't know what people thought of you because they themselves didn't know what they thought of you. Maybe you didn't give us enough to go on, Hannah.
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No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
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When you hold people up for ridicule, you have to take responsibility when other people act on it.
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I take a slow sip of lukewarm coffee, reopen the book, and read the words scribbled in red ink near the top: Everyone needs an olly-olly-oxen-free.
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You don't know what goes on in anyone's life but your own. And when you mess with one part of a person's life, you're not messing with just that part. Unfortunately, you can't be that precise and selective. When you mess with one part of a person's life, you're messing with their entire life. Everything... affects everything.
Jay Asher
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Jay Asher
Creative Commons
Born:
September 30, 1975
(age 49)
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