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J. M. Coetzee Quotes
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That was our first time together. Interesting, an interesting experience, but not earth-shaking. But then, I never expected it to be earth-shaking, not with him. What I was determined to avoid was emotional entanglement. A passing fling was one thing, an affair of the heart quite another. Of myself I was fairly sure. I was not about to lose my heart to a man about whom I knew next to nothing.
J. M. Coetzee
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Some years ago I wrote a book called The House on Eccles Street. To write this book I had to think my way into the existence of Marion Bloom...Marion Bloom was a figment of James Joyce's imagination. If I can think my way into the existence of a being who has never existed, then I can think my way into the existence of a bat or a chimpanzee or an oyster, any being with whom I share the substrate of life.
J. M. Coetzee
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Was it serious? I don't know. It certainly had serious consequences.
J. M. Coetzee
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Sleep is no longer a healing bath, a recuperation of vital forces, but an oblivion, a nightly brush with annihilation.
J. M. Coetzee
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He continues to teach because it provides him with a livelihood; also because it teaches him humility, brings it home to him who he is in the world. The irony does not escape him: that the one who comes to teach learns the keenest of lessons, while those who come to learn learn nothing.
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State censorship presents itself as a bulwark between society and forces of subversion or moral corruption. To dismiss this account of its own motives by the state as insincere would be a mistake: it is a feature of the paranoid logic of the censoring mentality that virtue... must be innocent, and therefore, unless protected, vulnerable to the wiles of vice.
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His mind has become a refuge for old thoughts, idle, indigent, with nowhere else to go. He ought to chase them out, sweep the premises clean. But he does not care to do so, or does not care enough"(72).
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Do any of us believe in what we are doing here? I doubt it. Her NCO husband least of all. We are given an old racetrack and a quantity of barbed wire and told to effect a change in men's souls. Not being experts on the soul but assuming cautiously that it has some connection with the body, we set our captives to doing pushups and marching back and forth.
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Erasmus dramatizes a well-established political position: that of the fool who claims license to criticize all and sundry without reprisal, since his madness defines him as not fully a person and therefore not a political being with political desires and ambitions. The Praise of Folly, therefore sketches the possibility of a position for the critic of the scene of political rivalry, a position not simply impartial between the rivals but also, by self-definition, off the stage of rivalry altogether.
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Although he devoted hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: 'Human society has created language in order that we may communicate our thoughts, feelings, and intentions to each other.' His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.
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Censorship is not an occupation that attracts intelligent, subtle minds. Censors can and often have been outwitted. But the game of slipping Aesopian messages past the censor is ultimately a sterile one, diverting writers from their proper task.
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The masters of information have forgotten about poetry, where words may have a meaning quite different from what the lexicon says, where the metaphoric spark is always one jump ahead of the decoding function, where another, unforeseen reading is always possible.
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It seemed to me that all things were possible on the island, all tyrannies and cruelties, though in small; and if, in despite of what was possible, we lived at peace with another, surely this was proof that certain laws unknown to us held sway, or else that we had been following the promptings of our hearts all this time, and our hearts had not betrayed us.
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The modern state appeals to morality, to religion, and to natural law as the ideological foundation of its existence. At the same time it is prepared to infringe any or all of these in the interest of self-preservation.
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The boy is special, Aunt Annie told his mother, and his mother in turn told him. But what kind of special? No one ever says.
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Once I lived in time as a fish in water, breathing it, drinking it, sustained by it. Now I kill time and time kills me.
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It gets harder all the time, Bev Shaw once said. Harder, yet easier. One gets used to things getting harder; one ceases to be surprised that what used to be hard as hard can be grows harder yet.
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He is like a stone, a pebble that, having lain around quietly minding its own business since the dawn of time, is now suddenly picked up and tossed randomly from hand to hand. A hard little stone, barely aware of its surroundings, enveloped in itself and its interior life. He passes through these institutions and camps and hospitals and God knows what else like a stone. Through the intestines of war. An unbearing, unborn creature.
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He even knew the reason why: because enough men had gone off to war saying the time for gardening was when the war was over; whereas there must be men to stay behind and keep gardening alive, or at least the idea of gardening; because once that cord was broken, the earth would grow hard and forget her children. That was why.
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Isaacs has a cheap Bic pen in his hand. He runs his fingers down the shaft, inverts it, runs his fingers down the shaft, over and over, in a motion that is mechanical rather than impatient.
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As for September 11, let us not too easily grant the Americans possession of that date on the calendar. Like May 1 or July 14 or December 25, September 11 may seem full of significance to some people, while to other people it is just another day.
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She gives him what he can only call a sweet smile. 'So you are determined to go on being bad. Mad, bad, and dangerous to know. I promise, no one will ask you to change.
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Talking to Petrus is like punching a bag of sand.
'Are you giving him up?'
'Yes, I am giving him up.'
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The secret and sacred word that binds him to the farm is 'belong'. Out in the veld by himself he can breathe the word aloud: I belong on the farm. What he really believes but does not utter, what he keeps to himself for fear that the spell will end, is a different form of the word: I belong to the farm. He tells no one because the word is misunderstood so easily, turned so easily to its inverse: The farm belongs to me. The farm will never belong to him, he will never be more than a visitor: he accepts that.
J. M. Coetzee
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When we dream that we are dreaming, the moment of awakening is at hand.
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We must cultivate, all of us, a certain ignorance, a certain blindness, or society will not be tolerable.
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It is not, then, in the content or substance of folly that its difference from truth lies, but in where it comes from. It comes not from 'the wise man's mouth' but from the mouth of the subject assumed not to know and speak the truth.
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You are going to end up as one of those sad old men who poke around in rubbish bins. I'm going to end up in a hole in the ground... And so are you. So are we all.
J. M. Coetzee
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Quote of the day
Outside of a dog, a book is a man's best friend. Inside of a dog, it's too dark to read.
Groucho Marx
J. M. Coetzee
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Born:
February 9, 1940
(age 85)
Bio:
John Maxwell "J. M." Coetzee is a South African novelist, essayist, linguist, translator and recipient of the 2003 Nobel Prize in Literature. He relocated to Australia in 2002 and lives in Adelaide. He became an Australian citizen in 2006.
Known for:
Disgrace (1999)
Waiting for the Barbarians (1980)
Life & Times of Michael K (1983)
Elizabeth Costello (2003)
Most used words:
time
human
heart
earth
people
truth
farm
hard
political
life
live
prize
day
belong
men
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