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Anaïs Nin Quotes
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It is difficult to live with the pure. They do not condemn you; they forgive you. This forgiveness is more terrible than a judgment.
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Perhaps the only magician we have is the artist.
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Oh, God, I know no joy as great as a moment of rushing into a new love, no ecstasy like that of a new love. I swim in the sky; I float; my body is full of flowers, flowers with fingers giving me acute, acute caresses, sparks, jewels, quivers of joy, dizziness, such dizziness. Music inside of one, drunkenness. Only closing the eyes and remembering, and the hunger, the hunger for more, more, the great hunger, the voracious hunger, and thirst.
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My first vision of earth was water veiled. I am of the race of men and women who see all things through this curtain of sea and my eyes are the color of water. I looked with chameleon eyes upon the changing face of the world, looked with anonymous vision upon my uncompleted self. I remember my first birth in water.
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To write is to descend, to excavate, to go underground.
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Nowhere is inhumanity more revealed than in hospitals.
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The truly faithless one is the one who makes love to only a fraction of you. And denies the rest.
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I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.
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I don't tell the truth any more to those who can't make use of it. I tell it mostly to myself, because it always changes me, does something to me.
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The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
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Love is the axis and breath of my life. The art I produce is a byproduct, an excrescence of love, the song I sing, the joy which must explode, the overabundance — that is all!
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Human beings can reach such desperate solitude that they may cross a boundary beyond which words cannot serve, and at such moments there is nothing left for them but to bark.
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I want to fall in love in such a way that the mere sight of a man, even a block away from me, will shake and pierce me, will weaken me, and make me tremble and soften and melt.
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I loved an image of him which did not exist. When he is away, this image begins to obsess me. It invades me, and I begin to believe in it again. It is destroyed each time I see him.
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One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self.... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide.... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.
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Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.
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Tranquillity is contagious, peace is contagious. One only thinks of the contagiousness of illness, but there is the contagion of serenity and joy.
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The potion drunk by lovers is prepared by no one but themselves.
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Self-destructive patterns cause as much suffering as outer catastrophes.
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When you make a world tolerable for yourself you make a world tolerable for others.
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Asia discovered two remedies for the cruelty of man, art and religion. America discarded both and is drowning in hate and aggressivity.
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The best way to remember a beautiful city or a beautiful painting is to eat something while you are looking at it. The flavor really helps the image to penetrate the body. It fixes it as lacquer does a drawing.
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Poetry, which is our relation to the senses, enables us to retain a living relationship to all things. It is the quickest means of transportation to reach dimensions above or beyond the traps set by the so-called realists. It is a way to learn levitation and travel in liberated continents, to travel by moonlight as well as sunlight.
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Nothing endures unless it has first been transposed into a myth, and the great advantage of myths is that they are ladies with portable roots.
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For the neurotic, the merging of the subconscious and the conscious may be risky, just as it is for the users of drugs. But for the writer who is aware of the way in which this connection exists in reality and nourishes creativity, the sooner he can achieve a synthesis among intellect, emotion, and instinct, the sooner his work will be integrated.
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When I cannot bear outer pressures any more, I begin to put order in my belongings. I get satisfaction from perfect order in my papers, in my clothes, in the house. I carry this to excess. As if unable to organize and control my life, I seek to exert this on the world of objects.
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Dreams pass into the reality of action. From the action stems the dream again; and this interdependence produces the highest form of living.
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To mistake ugliness for reality is one of the frauds of the realistic school [of writing]. A hunger for the unknown and an aspiration toward beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
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Love never dies a natural death. It dies because we don't know how to replenish its source, it dies of blindness and errors and betrayals. It dies of illnesses and wounds, it dies of weariness, of witherings, of tarnishings, but never a natural death. Every lover should be brought to trial as the murderer of his own love.
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The fiery moments of passionate experience are the moments of wholeness and totality of the personality.
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Quote of the day
We are half ruined by conformity, but we should be wholly ruined without it.
Charles Dudley Warner
Anaïs Nin
Creative Commons
Born:
February 21, 1903
Died:
January 14, 1977
(aged 73)
Bio:
Anaïs Nin was an author born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author.
Known for:
Delta of Venus (1977)
The Diary of Anaïs Nin (1966)
Henry and June
Incest: From a Journal of Love
Little Birds
Most used words:
life
love
live
art
human
moment
living
write
body
music
man
women
image
dream
creation
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