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This abdiction of life demanded of the artist is to be achieved only relatively. Most artists have retired too absolutely; they grow rusty, inflexible to the flow of currents.
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We write to taste life twice, in the moment, and in retrospection.... We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth.
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Those who cannot live fully often become destroyers of life.
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There is no bleaker moment in the life of the city than that one which crosses the boundary lines between those who have not slept all night and those who are going to work. It was... as if two races of men and women lived on earth, the night people and the day people, never meeting face to face except at this moment.
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He had a mania for washing and disinfecting himself. The fear of microbes played a very important part in his life.... For him the only danger came from the microbes which attacked the body. He had not studied the microbe of conscience which eats into the soul.
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The sap rising in the trees does not rise each year with greater strength, but life rises in me each year with greater strength, and can I endure it? The symphonic concerts of the birds do not get louder, but my cries of exultation, yes, and can others endure it?
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When I cannot bear outer pressures any more, I begin to put order in my belongings. I get satisfaction from perfect order in my papers, in my clothes, in the house. I carry this to excess. As if unable to organize and control my life, I seek to exert this on the world of objects.
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Although I love a rich life, I hate an overcrowded life. I believe in rumination and lose half the beauty of all things when I am deprived of the time to ruminate.
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Love is the axis and breath of my life. The art I produce is a byproduct, an excrescence of love, the song I sing, the joy which must explode, the overabundance — that is all!
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Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous.
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I know why families were created, with all their imperfections. They humanize you. They are made to make you forget yourself occasionally, so that the beautiful balance of life is not destroyed.
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Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh... without destroying that moment.
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Paris-New York, the two high tension magnetic poles between life, life of the senses, of the spirit in Paris, and life in action in New York.
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Life shrinks or expands according to one's courage.
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There is not one big cosmic meaning for all, there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person. To seek a total unity is wrong. To give as much meaning to one's life as possible is right to me.
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Life, religion and art all converge in Bali. They have no word in their language for 'artist' or 'art.' Everyone is an artist.
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I find that life, day by day, is composed of at least one joy, one problem and one sorrow. Then there are the smaller ingredients: you always learn something, whether useful or harmful — that is difficult to analyze until later; you always give something; you always grow a little in one direction or another.
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Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.
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My life is slowed up by thought and the need to understand what I am living.
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Writers do not live one life, they live two. There is the living and then there is the writing. There is the second tasting, the delayed reaction.
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To withhold from living is to die... the more you give of yourself to life the more life nourishes you.
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It was a misunderstanding to stress the dream like quality of the novels. What I meant to stress was the interrelation between dream and life, between dream and action.
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For all of my patients sensuality is a giving in to 'the low side of their nature.' Puritanism is powerful and distorts their life with a total anesthesia of the senses. If you atrophy one sense, you also atrophy all the others, a sensuous and physical connection with nature, with art, with food, with other human beings.
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I need a place where I can shout and weep. I have to be a Spanish savage at some time of the day. I record here the hysteria life causes in me. The overflow of an undisciplined extravagance. To hell with taste and art, with all contractions and polishings. Here I shout, I dance, I weep, I gnash my teeth, I go mad — all by myself, in bad English, in chaos. It will keep me sane for the world and for art.
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Throw your dream into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, or a new country.
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Most fiction writers uses dreams decoratively without relating them to daily life, but the contemporary writer is becoming more expert at detecting the influence of one upon the other.
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I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.
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I think that natural truths will cease to be spat at us like insults, that aesthetics will once more be linked with ethics, and that people will become aware that in casting out aesthetics that they also cast out a respect for human life, a respect for creation, a respect for spiritual values. Aesthetics was an expression of man's need to be in love with his world. The cult of ugliness is a regression. It destroys our appetite, our love for our world.
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Passivity, like the passivity of India induced by religion, is destructive both to human life and to art.
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I never liked the language of Henry Miller. I don't think pornography has added to our sensual life.
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Quote of the day
We are half ruined by conformity, but we should be wholly ruined without it.
Charles Dudley Warner
Anaïs Nin
Creative Commons
Born:
February 21, 1903
Died:
January 14, 1977
(aged 73)
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