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Anaïs Nin -
Art
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It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and as if by magic, we see a new meaning in it.
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Neurosis was caused by our attempt to separate physical and metaphysical levels, to set them up in opposition to each other, thus engaging in an internecine war. If it is true that we do live on several levels simultaneously- drama and action, past and present, personal and collective- we are given ways to unify them: one by religion, the other by art. Separating such levels is only necessary when they conflict, and separation is a result of conflict. Seeing how these levels can work together in harmony is the task of our contemporary writers.
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Passivity, like the passivity of India induced by religion, is destructive both to human life and to art.
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I need a place where I can shout and weep. I have to be a Spanish savage at some time of the day. I record here the hysteria life causes in me. The overflow of an undisciplined extravagance. To hell with taste and art, with all contractions and polishings. Here I shout, I dance, I weep, I gnash my teeth, I go mad — all by myself, in bad English, in chaos. It will keep me sane for the world and for art.
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Art is the method of levitation, in order to separate one's self from enslavement by the earth. The earth demands servitude from us, menial tasks, earthy tasks, every day, every hour, and only at this moment at which we discard the servitude and enter the world of the spirit through music or painting or writing are we free.
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Life, religion and art all converge in Bali. They have no word in their language for 'artist' or 'art.' Everyone is an artist.
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Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
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All the art of analysis consists in saying a truth only when the other person is ready for it, has been prepared for it by an organic process of gradation and evolution.
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Love is the axis and breath of my life. The art I produce is a byproduct, an excrescence of love, the song I sing, the joy which must explode, the overabundance — that is all!
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Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.
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Asia discovered two remedies for the cruelty of man, art and religion. America discarded both and is drowning in hate and aggressivity.
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To mistake ugliness for reality is one of the frauds of the realistic school [of writing]. A hunger for the unknown and an aspiration toward beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
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For all of my patients sensuality is a giving in to 'the low side of their nature.' Puritanism is powerful and distorts their life with a total anesthesia of the senses. If you atrophy one sense, you also atrophy all the others, a sensuous and physical connection with nature, with art, with food, with other human beings.
Anaïs Nin
Quote of the day
Although modesty is natural to man, it is not natural to children. Modesty only begins with the knowledge of evil.... Blushes are the sign of guilt; true innocence is ashamed of nothing.
Jean-Jacques Rousseau
Anaïs Nin
Creative Commons
Born:
February 21, 1903
Died:
January 14, 1977
(aged 73)
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