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My current situation is, I always want to find a new possibility. China is in a changing stage, and that puts me in a very difficult situation, because anytime a new condition is announced there is a lot of struggle between the new and the old. So the establishment really becomes extremely nervous because they are refusing to meet very basic human rights or values. I don't know how long I can still struggle in China, but I will try my best. Because this is a land I am very familiar with, and we have been in the same kind of struggle for generations. I think it's a time for change.
Ai Weiwei
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I cannot ever accept the kind of conditions where you can sacrifice someone's rights.
Ai Weiwei
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I don't feel powerful at all. I am still under this kind of detention, and you know, this is kind of a bail. Even yesterday I realized while trying to take care of the baby, [at] the park, [I had] been secretly followed and it's quite fragile. Maybe being powerful means to be fragile.
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We need clear rules to play the game. We need to have respect for the law. If you play a chess game but after two or three moves you can change the rules, how can people play with you? Of course you will win, but after 60 years you will still be a bad player because you never meet anyone who can challenge you. What kind of game is that? Is that interesting? This game is not right, but who is going to say, 'Hey, let's play fairly?'
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[My family] suffer so much. My mother was much older when I came out [of detention]. She had problems with her hearing and high blood pressure. But they still support me. When you make somebody disappear and you don't announce it to the family, what is this? You make people desperate and bring them close to death. If our cat or dog is lost, it makes us desperately want to know where it is—so for humans disappearing, you can barely imagine the pain. What kind of society is this? If a society cannot even support somebody like me, then people ask: Who is under protection, then? That's why there is such support for me. It is not because I am so beautiful or so charming. People feel, This guy is fighting for us.
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Your own acts tell the world who you are and what kind of society you think it should be.
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It's really life and death [not art]. When they tell you your mother is 80 years old but you cannot see her again, you can never call it performance art. Or when your son is three, and they tell you that when you are released he will be in his teens and can never recognize you as a father. You feel terrible inside, to lose those chances. Each day, they tell you, 'You will spend your life day after day the same, minute after minute the same. You just have to pay [with] your life for this kind of so-called freedom that you are fighting for.' There is no sense of justice there. Why do I have to do this with them? Why do I have to argue or play this game?
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The individual under this kind of life, with no rights, has absolutely no power in this land. How can they even ask you for creativity? Or imagination, or courage or passion?
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I think strategically China has come to a very crucial moment. They [the government] have to re-justify themselves. Even the past 20 to 30 years are based on a kind of destructive, suicidal act. Now they are trying to reach a higher level, but I think in any society, culture should have its own rights: not to be touched by the government, not to be promoted by the government, also not to be destroyed by the government.
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Nothing can silence me as long as I am alive. I don't give any kind of excuse. If I cannot come out [of China] or I cannot go in [to China] this is not going to change my belief. But when I am there, I am in this condition: I see it, I see people who need help. Then you know, I just want to offer my possibility to help them.
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The 81 days of detention were a nightmare. I am not unique; it happened to many people in China. Conditions were extreme, created by a system that thinks it is above the law and has become a kind of monstrous machine. There were so many moments when I felt desperate and hopeless. But still, the next morning, I heard the birds singing.
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People have said, if you leave, you may never come back. Or they may not even let you leave. So this is always a cost you may have to pay. But I don't want to restrict myself: When it happens, it happens. I have to deal with it, but not to prepare for it, because it is a kind of stupidity. If you prepare for it too much, you become a part of it.
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I think the government [will] lose the battle. Because for a nation to develop, the government needs to correct the information, they need to have a space for people to be involved, to discuss, to participate in the change. Otherwise, I don't think they can really last in this kind of development, because economically it goes so fast but politically it stays the same as many, many years ago. I think even the government senses that this is impossible.
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I think restrictions are an essential condition in the fight for freedom of expression. It's also a source for any kind of creativity.
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Modernism represents a true kind of living. Modernism is not about form or method or the works of a few artists, but rather about a necessary way of living. And only this kind of lifestyle can save China, because if we don't have modernism, then we will die under the grasp of one or another ideology. Modernism at least says that every person is free and needs to honestly encounter his own life.
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I definitely know people who are shameless enough to give up basic values. I see this kind of art, and when I see it I feel ashamed. In China they treat art as some form of decoration, a self-indulgence. It is pretending to be art. It looks like art. It sells like art. But it is really a piece of shit.
Ai Weiwei
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Ai Weiwei
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Born:
August 28, 1957
(age 67)
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