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The Devil is not the Prince of Matter; the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. The Devil is grim because he knows where he is going, and, in moving, he always returns whence he came.
Umberto Eco
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When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
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Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle.
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You are always born under the wrong sign, and to live in this world properly you have to rewrite your own horoscope day by day.
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We live for books. A sweet mission in this world dominated by disorder and decay.
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Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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I have never doubted the truth of signs, Adso; they are the only things man has with which to orient himself in the world.
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Someone said that patriotism is the last refuge of cowards; those without moral principles usually wrap a flag around themselves, and those bastards always talk about the purity of race.
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The only truths that are useful are instruments to be thrown away.
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I seal that which was not to be said in the tomb that I become.
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In short, Roberto privately concluded, if you would avoid wars, never make treaties of peace.
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Usually naive interviewers hover between two mutually contradictory convictions: one, that a text we call creative develops almost instantaneously in the mystic heat of inspirational raptus; or the other, that the writer has followed a recipe, a kind of secret set of rules that they would like to see revealed. There is no set of rules, or, rather, there are many, varied and flexible rules.
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At most, recognizing that our history was inspired by many tales we now recognize as false should make us alert, ready to call to constantly into question the very tale we believe true, because the criterion of the wisdom of the community is based on constant awareness of the fallibility of our learning.
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But laughter is weakness, corruption, the foolishness of our flesh.
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What we honor as prudence in our elders is simply panic in action.
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There are no stories without meaning. And I am one of those men who can find it even when others fail to see it. Afterwards the story becomes the book of the living, like a blaring trumpet that raises from the tomb those who have been dust for centuries....
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The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause.
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I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote "I am that I am," for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.
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To escape the power of the unknown, to prove to yourself that you don't believe in it, you accept its spells. Like an avowed atheist who sees the Devil at night, you reason: He certainly doesn't exist; this is therefore an illusion, perhaps a result of indigestion. But the Devil is sure that he exists, and believes in his upside-down theology. What, then, will frighten him? You make the sign of the cross, and he vanishes in a puff of brimstone.
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Stopgaps do belong to the internal economy of the form, since the Whole requires them, even if only in a subordinate position... The stopgap Luigi Paryson's 'zeppa' accepts its own banality, because without the speed that the banal allows up, it would slow up a passage that is crucial for the outcome of the work and its interpretation.
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There must be a connection between the lust for power and impotentia coeundi. I liked Marx, I was sure that he and his Jenny had made love merrily. You can feel it in the easy pace of his prose and in his humor. On the other hand, I remember remarking one day in the corridors of the university that if you screwed Krupskaya all the time, you'd end up writing a lousy book like Materialism and Empiriocriticism.
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Luckily, Eden is soon populated. The ethical dimension begins when the other appears on the scene.
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Authors frequently say things they are unaware of; only after they have gotten the reactions of their readers do they discover what they have said
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You cannot escape one infinite, I told myself, by fleeing to another. You cannot escape the revelation of the identical by taking refuge in the illusion of the multiple.
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Naturally, everything depends on one's background books and on what one is looking for.
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And what would we be, we sinful creatures, without fear, perhaps the most foresighted, the most loving of the divine gifts?
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I believe all sin, love, glory are this: when you slide down the knotted sheets, escaping from Gestapo headquarters, and she hugs you, there, suspended, and she whispers that she's always dreamed of you. The rest is just sex, copulation, the perpetuation of the vile species.
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Fools are in great demand, especially on social occasions. They embarrass everyone but provide material for conversation. In their positive form, they become diplomats.
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And we, inhabitants of the great coral of the Cosmos, believe the atom (which still we cannot see) to be full matter, whereas, it too, like everything else, is but an embroidery of voids in the Void, and we give the name of being, dense and even eternal, to that dance of inconsistencies, that infinite extension that is identified with absolute Nothingness and that spins from its own non-being the illusion of everything.
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Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
Umberto Eco
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Quote of the day
Nothing is impossible in this world. Firm determination, it is said, can move heaven and earth. Things appear far beyond one's power, because one cannot set his heart on any arduous project due to want of strong will.
Yamamoto Tsunetomo
Umberto Eco
Creative Commons
Born:
January 5, 1932
Died:
February 19, 2016
(aged 84)
Bio:
Umberto Eco is an Italian semiotician, essayist, philosopher, literary critic, and novelist.
Known for:
The Name of the Rose (1980)
Foucault's Pendulum (1988)
Numero Zero (2015)
The Prague Cemetery (2010)
Baudolino (2000)
Most used words:
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