Quotes about Titian

23 Sourced Quotes

I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.

Did he happen to select a color too?" "Blue." "Blue?" Victoria burst out, prepared to do physical battle for white. Madame nodded, her finger thoughtfully pressed to her lips, her own hand plunked upon her waist. "Yes, blue. Ice blue. He said you are glorious in that color-'a titian-haired angel,' he said" Victoria abruptly decided ice blue was a lovely color to be married in.

Judith McNaught

Speaking to Salvator Rosa of the Italian painter Raphael:

Raphael, to be plain with you, for I prefer to be candid and outspoken, does not please me at all....It is Titian that bears the banner.

Diego Velázquez

There are pictures by Titian so steeped in golden splendors, that they look as if they would light up a dark room like a solar lamp.

George Stillman Hillard

Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.

No one can explain how the notes of a Mozart melody, or the folds of a piece of Titian's drapery, produce their essential effects. If you do not feel it, no one can by reasoning make you feel it.

The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.

Paula Modersohn-Becker

It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted...

Joshua Reynolds

A cultivated reader of history is domesticated in all families; he dines with Pericles, and sups with Titian.

Robert Aris Willmott

Titian, having adorned Venice, or rather all Italy and other parts of the world, with excellent paintings, well merits to be loved and respected by artists, and is in many things to be admired and imitated also, as one who has produced, and is producing, works of infinite merit; nay, such as must endure while the memory of illustrious men shall remain.

This is what happens, unquestionably – I am positive: an optical sensation is produced in our visual organ, which leads us classify as light, half-tone or quarter-tone, the planes represented by sensations of color. [Thus the light does not exist for the painter]. As long as, inevitably, one proceeds from black to white, the former of these abstractions being a kind of point of rest both for eye and brain, we flounder about, we cannot achieve self-mastery, get possession of ourselves. During this period (I tend to repeat myself, inevitably) we turn to the admirable works [of the five great Venetian painters a. o. Titian and Tintoretto] handed down to us through the ages, in which we find comfort and support...

I must stop to lament, that we cannot evince an admiring gratitude towards other excellent things by a like readiness of quotation: that we cannot, for instance, quote a star that we have been watching; or a hue of sunset; or a friend's voice, and his shake of the hand (I had almost said heart); or a beautiful picture—a Claude or Titian, for example.

Samuel Laman Blanchard

When I look at what I have pinned up on my studio wall — torn-out reproductions, catalogs or little flyers — the originals are all on canvas, whether it's Titian, Vuillard or Whistler.

Helen Frankenthaler

Although Titian's works seem to many to have been created without much effort, this is far from the truth and those who think so are deceiving themselves. In fact, it is clear that Titian retouched his pictures, going over them with his colours several times, so that he must obviously have taken great pains. The method he used is judicious, beautiful, and astonishing, for it makes pictures appear alive and painted with great art, but it conceals the labour that has gone into them.

The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it.

Nobody cares much at heart about Titian; only there is a strange undercurrent of everlasting murmur about his name, which means the deep consent of all great men that he is greater than they.

One has to seek Beauty and Truth, Sir! As I always say to my pupils, you have to work to the finish. There's only one kind of painting. It is the painting that presents the eye with perfection, the kind of beautiful and impeccable enamel you find in Veronese and Titian.

William-Adolphe Bouguereau

Similarly a work of art vanishes from sight for a beholder who seeks in it nothing but the moving fate of John and Mary or Tristan and Isolde and adjusts his vision to this. Tristan's sorrows are sorrows and can evoke compassion only in so far as they are taken as real. But an object of art is artistic only in so far as it is not real. In order to enjoy Titian's portrait of Charles the Fifth on horseback we must forget that this is Charles the Fifth in person and see instead a portrait — that is, an image, a fiction. The portrayed person and his portrait are two entirely different things; we are interested in either one or the other. In the first case we "live" with Charles the Fifth, in the second we look at an object of art.

José Ortega y Gasset

I recommend [the students] that you should work actively at the Hermitage and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.

Kazimir Malevich

Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject.... It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.

Washington Allston

Simply because I liked it so much I saw it in Venice and thought: I'd like to have that for myself. To start with I only meant to make a copy, so that I could have a beautiful painting at home and with it a piece of that period, all that potential beauty and sublimity... Then my copy went wrong, and the pictures that finally emerged went to show that it just can't be done any more, not even by way of a copy. All I could do was to break the whole thing down and show that it's no longer possible [Richter's quote refers to his 'Annunciation after Titian', he made in 1973].

Gerhard Richter

Not to paint is the highest ambition of the painter but God who gives the gift requires that it be honoured. It is in the gesture that it lives. There is no escape. Picture-making is ludicrous in the light of the awful times we must endure. It is sufficient to contemplate the nature of composition to see that the picture itself is impossible. Each square inch of Titian contains the whole pointless — between the cradle and the grave. My paintings are merely signs that the activity was engaged in.

Reginald, in his way, was a pioneer.
None of the rest of his family had anything approaching Titian hair or a sense of humour, and they used primroses as a table decoration.
It follows that they never understood Reginald, who came down late to breakfast, and nibbled toast, and said disrespectful things about the universe. The family ate porridge, and believed in everything, even the weather forecast.