When I look at what I have pinned up on my studio wall — torn-out reproductions, catalogs or little flyers — the originals are all on canvas, whether it's Titian, Vuillard or Whistler.
The New York Times (March 2003)
When I look at what I have pinned up on my studio wall — torn-out reproductions, catalogs or little flyers — the originals are all on canvas, whether it's Titian, Vuillard or Whistler.
The New York Times (March 2003)