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A thing may happen and be a total lie; another thing may not happen and be truer than the truth. For example: Four guys go down a trail. A grenade sails out. One guy jumps on it and takes the blast, but it's a killer grenade and everybody dies anyway. Before they die, though, one of the dead guys says, "The fuck you do that for?" and the jumper says, "Story of my life, man" and other guys start to smile but he's dead. That's a true story that never happened.
Tim O'Brien
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But in a story, which is a kind of dreaming, the dead sometimes smile and sit up and return to the world.
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Linda was nine then, as I was, but we were in love...it had all the shadings and complexities of mature adult love and maybe more, because there were not yet words for it, and because it was not yet fixed to comparisons or chronologies or the ways by which adults measure such things...I just loved her. Even then, at nine years old, I wanted to live inside her body. I wanted to melt into her bones — that kind of love.
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By telling stories, you objectify your own experience. You separate it from yourself. You pin down certain truths. You make up others. You start sometimes with an incident that truly happened, and you carry it forward by inventing incidents that did not in fact occur but that nonetheless help to clarify and explain.
Tim O'Brien
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But I do like churches. The way it feels inside. It feels good when you just sit there, like you're in a forest and everything's really quiet, expect there's still this sound you can't hear.
Tim O'Brien
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We are fascinated, all of us, by the implacable otherness of others. And we wish to penetrate by hypothesis, by daydream, by scientific investigation those leaden walls that encase the human spirit, that define it and guard it and hold it forever inaccessible. ("I love you," someone says, and instantly we begin to wonder — "Well, how much?" — and when the answer comes—"With my whole heart" — we then wonder about the wholeness of a fickle heart.) Our lovers, our husbands, our wives, our fathers, our gods—they are all beyond us.
Tim O'Brien
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Why do our politicians put warnings on cigarette packs and not on their own foreheads?
Tim O'Brien
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They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity.
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In the attic, a warhead no doubt burns. Everything is combustible. Faith burns. Trust burns. Everything burns to nothing and even nothing burns.... And when there is nothing, there is nothing worth dying for and when there is nothing worth dying for, there is only nothing.
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The bad stuff never stops happening: it lives in its own dimension, replaying itself over and over.
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A giddy feeling, in a way, except there was the dreamy edge of impossibility to it - like running a dead-end maze - no way out - it couldn't come to a happy conclusion and yet I was doing it anyway because it was all I could think of to do.
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When he kissed her, she received the kiss without returning it, her eyes wide open, not afraid, not a virgin's eyes, just flat and uninvolved.
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War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
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In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen.
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If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie.
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Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories.
Tim O'Brien
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Precisely where the land touched water at high tide, where things came together but also separated.
Tim O'Brien
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I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth.
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I'm skimming across the surface of my own history, moving fast, riding the melt beneath the blades, doing loops and spins, and when I take a high leap into the dark and come down thirty years later, I realize it is as Tim trying to save Timmy's life with a story.
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He wished he could've explained some of this. How he had been braver than he ever thought possible, but how he had not been so brave as he wanted to be. The distinction was important.
Tim O'Brien
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They carried all the emotional baggage of men who might die. Grief, terror, love, longing — these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight.
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The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head. There is the illusion of aliveness.
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I cannot remember much, I cannot feel much. Maybe erasure is necessary. Maybe the human spirit defends itself as the body does, attacking infection, enveloping and destroying those malignancies that would otherwise consume us.
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Maybe in the fog Kathy said, 'We could do it — right now,' and maybe Sorcerer murmured something about a pair of snakes along a trail in Pinkville, how for years and years he had wondered what would've happened if those two dumb-ass snakes had somehow managed to gobble each other up. A tired old story. If Kathy smiled, it was out of politeness. But maybe she said, 'I dare us.'
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And in the end, of course, a true war story is never about war. It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.
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It's a hard thing to explain to somebody who hasn't felt it, but the presence of death and danger has a way of bringing you fully awake. It makes things vivid. When you're afraid, really afraid, you see things you never saw before, you pay attention to the world. You make close friends. You become part of a tribe and you share the same blood- you give it together, you take it together.
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Together we understood what terror was: you're not human anymore. You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted to believed in. You know you're about to die. And it's not a movie and you aren't a hero and all you can do is whimper and wait.
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In war you lose your sense of the definite, hence your sense of truth itself, and therefore it's safe to say that in a war story nothing is ever absolutely true.
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The way I see it, he came back pretty shattered, pretty fucked up, then he got married to Kathy and they had this really great love thing going. Never saw two people so feelie-grabbie. So he gets his life back together. Doesn't say anything about the Vietnam shit — not to his wife or me or anybody. And then after a while he can't say anything. Sort of trapped, you know? That's my theory. I don't think it started out as an intentional lie, he just kept mum about it — who the hell wouldn't? — and pretty soon he probably talked himself into believing it never happened at all. The guy was a magic man... I guess it basically boils down to a case of colossal self-deception.
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They carried all they could bear, and then some, including a silent awe for the power of the things they carried.
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Quote of the day
We are half ruined by conformity, but we should be wholly ruined without it.
Charles Dudley Warner
Tim O'Brien
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Born:
October 1, 1946
(age 78)
Bio:
Tim O'Brien is an American novelist who mainly writes about his experiences in the Vietnam War and the impact that the war had on the American soldiers who fought there.
Known for:
The Things They Carried (1990)
Going After Cacciato (1978)
In the Lake of the Woods (1995)
Tomcat in Love (1998)
Most used words:
love
war
life
story
truth
wanted
feel
carried
true
happened
remember
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guys
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